|
|
Spitfire Audio Albion V Tundra KONTAKT
多年以来，Spitfire Audio一直在录制各种规模的管弦乐队，但是在过去十年中，一直运用的主题是如何发掘和发现更多的真实的表演风格。
我们也明白，在抽样方面，这是最真实魔法发生的最安静的水平。考虑到这一点，通过研究ArvoPärt，Sibelius和Gorecki最受欢迎的录音，并通过观察来自斯堪的纳维亚和冰岛的新兴人才，我们受到启发，创造了一整套新工具。与长期合作者，协调者和当代作曲家本·福斯克特（Ben Foskett）合作，我们设置了一个完整的动态样本集，其中最顶级的设置为mp（中音钢琴或中等静音），直到我们拥有的最安静的录音曾经敢于记录。我们的总工程师在空气工作室开了大厅，以最大限度地发挥其惊人的早期反思，我们给了非常伦敦的100名强力队员。我们认为以前从未有过的样品。
Spitfire音频Albion V Tundra KONTAKT
特征：
•在伦敦航空工作室，100乐团录制到录音带
•跨弦乐，黄铜和木管乐曲组合的133个多动态管弦乐曲
•38首小提琴，共32首，包括19个长，11个短和2个legatos
•12个Celli和6个Basses，30个发声，包括17个长，11个短句和2个legatos
•黄铜乐团，共有17个独特的中音和低音组合
•木管乐队合奏，共有18个独特的高音和中音乐组合
•由Andrew Blaney设计的Legatos
•全部具有Close, Tree, Outrigger and Ambients 的多模控制
•在无声的边缘记录无价的阀门和带状麦克风
•内布·蒙塞拉特（Neve Monserrat）前进入Neve 88R书桌
•通过2“Studer磁带以96k数字记录
原文
Capturing the Scandinavian zeitgeist we've sampled a 100 piece orchestra playing never-before-sampled instructions at the very edge of silence. Alongside orchestral content are bellows, percussion and a characterful warped synth section. Everything you need to take it down a degree or two!
In what can only be described as a sonic odyssey, the Spitfire crew has travelled northern climes to research, discover and unearth the most naked, honest and glacial set of samples we have recorded to date. Returning back to London we set about recording an enormous orchestra - but not in a style steeped in the choral tradition, echoing angelic angels from above. We sought instead to create a sonic tapestry that was of this Earth. As if it was seeping through the moss on the ground, smelling of Estonian forests, Scottish lochs, Norwegian fjords, and evoking the sense of isolation when stood on the permafrost and tundra of Iceland.
For many years now Spitfire Audio has been recording orchestras of all sizes, but a theme that has run throughout our last decade is how to unearth and discover more naked and honest performance styles. We also understand that where sampling is concerned it's the quietest of levels where the real magic happens. By taking this into account, by studying the most popular recordings of Arvo Pärt, Sibelius and Gorecki, and by observing new emerging talent from Scandinavia and Iceland we were inspired to create a whole new set of tools. Partnering with long term collaborator, orchestrator and contemporary composer Ben Foskett we set about recording a full dynamic set of samples where the top level was set at mp (mezzo piano, or kind of medium quiet) right down and through to the quietest recordings we have ever dared record. Our chief engineer opened up the hall at Air Studios to maximise its amazing early reflections and to liquify the fibrous and finely textured instructions we gave the 100 strong band of extraordinary London players. Samples we believe that have never been made before.
Spitfire Audio Albion V Tundra KONTAKT
Features:
• 100 piece orchestra recorded to tape at Air Studios, London
• 133 multi dynamic orchestral articulations split across Strings, Brass and Woodwind ensembles
• 38 violins with 32 articulations including 19 longs, 11 shorts and 2 legatos
• 12 Celli and 6 Basses with 30 articulations including 17 longs, 11 shorts and 2 legatos
• Brass ensembles with 17 unique articulations for both Mid and Low ensembles
• Woodwind ensembles with 18 unique articulations for both High and Mid Ensembles
• Legatos designed by Andrew Blaney
• All have multimic control with Close, Tree, Outrigger and Ambients
• Recorded by priceless valve and ribbon mics at the edge of silence
• Neve Monserrat preamps into a Neve 88R desk
• Recorded digitally at 96k via 2" Studer tape
Spitfire Audio Albion V Tundra KONTAKT | 41.3 Gb
|
|
发表于 2006-5-23 22:28:00
QQ好友和群
收藏
转播
分享
顶
踩