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Spitfire Audio Sacconi Strings Quartet KONTAKT
当你说服了，cajole并抚摸着世界上最受欢迎的室内音乐场所之一的业主们打开他们的门去参加一个抽样项目他们说"是的，你可以在8月的某一天拥有它"你会怎么做?你等待。你等着那一天到来，你计划，你组建了一个工程师团队，你准备好你的乐队，你就能得到尽可能多的。然后你等着，等到那一天到来的8月，你再重复一次手术。然后你等待，直到下一个八月！
Sacconi弦是一项为期4年的项目，旨在创造出一套明确的“四重奏”工具，在威格尔大厅录制的一组独立的独弦游戏，由伦敦多年来最受人谈论的年轻四重奏之一演奏。
在为四重奏作曲家写作时，自然需要用单弦线来模拟他们的意图。这里的困难在于，他们往往是非常“脖子上”的索神，当他们结合在一起的时候，他们可能会很有表现力，很难向客户推销。
斯皮恩的克里斯蒂安亨森与Sacconi合作了多年，并感谢他们帮助他理解了四重奏的作用，以及四种凝胶的制作。克里斯蒂安将这一关系与他的天赋和对Andy Blaney的虚拟能力的理解结合在了维格里，以一种非常不同的方式来对数字领域进行采样。结合了现代的技术和探索的方法，以及令人惊叹的传统的声音，这是Sacconi在喷火上的每个人的宠物项目。
在这只能被形容为“一场政变”的斯皮恩斯的斯坦利加布里埃尔按摩了一些家庭关系，并劝诱威格摩大厅的老板让我们进去。他组建了一支“特工队”，研究了那里的各种著名录音，并为我们建造了一个远程录音设备，但两个小时后，我们就进入了。尽管喷火的工程师们开始抓着麦克风，听着在舞台后面的绿色房间里匆忙组装的控制室里听着声音检查的声音，但这种魔力真的开始发生了。
四人组的特点是Cara Berridge、汉娜道森、Ben Hancox和Robin Ashwell的出色表现，他们在与圣科尼的表演中，经常在伦敦的许多顶级电影配乐中表演。
四重奏库的特色是可以在两种模式下使用的单独的乐器，传统的“键盘切换”方法通过听不清音符在你的控制器上被击中。或者确实是“性能补丁”，它是一款精心编写的自动工具，分析你的演奏方式，并对你需要的表现方式进行分析——从香料、各种各样的长片选择，以及选择真正的腿部过渡，以达到最大的表现力。四重奏还包含了一个非常有用的“烘烤”组合，它可以让你用双手画出四重奏的组合，然后再分成不同的部分。
图书馆有6个不同的麦克风视角，包括主音响位置，给你古典的厅堂声音。其他的位置包括两个近距离的麦克，德卡树，ou触发器和安必恩。图书馆中有15种不同的表达，从紧密的针状物到渴望完整的颤音控制，还有一大堆的其他的。请查看下面的preset列表，以查看库中包含的完整集合。
特性
在一个金色的艺术和工艺的穹顶之下，中心人物是音乐的灵魂。他凝视着和谐的天才——一个永恒的火球，它的光芒在世界上反射。在长达4年的时间里，萨科尼的成员们在一系列的日子里奴隶般地把自己定位在了自己的位置上。
获奖的Sacconi四重奏获得了一致和引人注目的整体效果，始终如一地用一种新颖而富有想象力的方式进行交流。以风格和承诺来表演，这四人世界因其创造性和诠释的完整而闻名于世。成立于2001年，它的四位创始人继续表现出对弦乐四重奏曲目的共同热情，用他们的能量和热情去接触观众。四人组在国际上享有很高的成功，在整个欧洲，在伦敦的主要演出场所，在录音和广播中都有演出。在英国皇家音乐学院和布里斯托尔老维克的联合艺术家协会中，Sacconi是四重奏。
到目前为止，这四人已经给了21个世界和4个英国首相，包括John Metcalf、保罗帕特森、约翰麦凯布、西蒙罗兰德琼斯、Alun Hoddinot、György Kurtág和György Kurtág的作品，他们在保罗麦卡特尼的歌曲中扮演了独奏的四重奏。
原文
When you convince, cajole and caress the proprietors of one of the most favoured chamber music venues in the world to open their doors to a sampling project and they say "yes you can have it for one day in August" what do you do? You wait. You wait for that day to come and you plan and you put together a crack team of engineers and you prepare your band and you get as much as you can. And then you wait, you wait until that day comes around the next August, you repeat the operation.... and then you wait, you wait until the next August!
Sacconi strings is a four year long project to create a definitive set of writing-for-quartet tools, a game changing set of solo strings recorded at Wigmore Hall and performed by one of the most talked about young quartets to be formed in London for many years.
When writing for quartets composers naturally have to settle with using solo strings VIs to mockup their intentions. The difficulty here is they tend to be very 'neck up' soloistic and when combined into a foursome can be jarringly expressive and difficult to sell to clients.
Spitfire's Christian Henson has worked with Sacconi for many years and thanks them for helping him understand what works for a quartet and what makes a quartet gel. Christian took this relationship alongside the searing talents and understanding of virtuality of Andy Blaney into the Wigmore to commit a very different approach to sampling to the digital sphere. Combining modern techniques and exploratory approaches to vibrato alongside stunning traditional articulations blooming this extraordinary acoustic Sacconi has been everyone's pet project at Spitfire.
In what can only be described as a 'coup de grace' Spitfire's Stanley Gabriel massaged some family connections and cajoled the proprietors of the Wigmore Hall into letting us in. He put together a crack team of operatives, researched various famous recordings made there and built us a remote recording facility in but two hours of them letting us in. The minute though that Spitfire engineers started scratching mics and listening back to sound checks via monitors in the hastily put together control room stationed in the green room behind the stage, did the magic really start to happen.
Quartet features the searing talents of Ben Hancox, Hannah Dawson, Robin Ashwell and Cara Berridge whom when not performing with Sacconi can often be seen on scoring stages performing on many of the top film scoring sessions in London.
The quartet library features individual instruments which can be used in two modes, the traditional 'keyswitching' method that changes articulation type via inaudible notes being hit on your controller. Or indeed "performance patches" which is an ingeniously scripted automatic tool that analyses the way you're playing and interprets the style of performance you need - selecting from Spiccatos, various longs, and a selection of True Legato transitions, for maximum expressiveness. Quartet also contains a brilliantly useful 'baked' ensembles section that allows you to sketch your quartet composition with both hands before splitting off into the separate parts.
The library contains 6 different microphone perspectives, including the main stereo position which gives you the classic sound of the hall. Other positions include two close mics, decca tree, outriggers and ambients. 15 different articulations are included with the library from tight spiccatos to longs with complete vibrato control and a whole host of others in between. Check out our presets list below to see the full collection contain in the library.
FEATURES
Beneath a golden Arts & Crafts cupola; the central figure is the Soul of Music. He is gazing up at the Genius of Harmony – a ball of eternal fire whose rays are reflected across the world. Members of Sacconi strings slavishly positioned themselves over a series of days spread over four years.
The award-winning Sacconi Quartet is recognised for its unanimous and compelling ensemble, consistently communicating with a fresh and imaginative approach. Performing with style and commitment, the Quartet is known throughout the world for its creativity and integrity of interpretation. Formed in 2001, its four founder members continue to demonstrate a shared passion for string quartet repertoire, infectiously reaching out to audiences with their energy and enthusiasm. The Quartet have enjoyed a highly successful international career, performing regularly throughout Europe, at London’s major venues, in recordings and on radio broadcasts. The Sacconi is Quartet in Association at the Royal College of Music and Associate Artist at the Bristol Old Vic.
To date, the Quartet has given twenty-one world premières and four British premières, including works by György Kurtág, Paul Patterson, John McCabe, Simon Rowland-Jones, Robin Holloway, John Metcalf and Alun Hoddinot, and they performed as the solo string quartet on Paul McCartney’s hit song Come Home. The SacconiQuartet has been joined on stage by many artists including Mark Padmore, Melvyn Tan, Andrew Marriner, Vladimir Ashkenazy, Guy Johnston, Alasdair Beatson, Tom Poster, Matthew Rose, Bellowhead’s Jon Boden and actor Timothy West.
Wigmore Hall, one of the world’s great concert halls, specialises in chamber and instrumental music, early music and song.
Now approaching its 115th birthday, Wigmore Hall is livelier than ever, offering music-making of outstanding quality and an array of activities in the broader community. With its infectious sense of adventure, it consistently captures the public imagination and broadens its audiences’ horizons.
Wigmore Hall’s focus is on supreme musical works, best experienced with a powerful sense of immediacy. The repertoire extends 250 years on either side of Beethoven (born 1770) – from the Renaissance to contemporary jazz and new commissions from today’s most exciting composers.
Bringing this music to life are the world’s most sought-after soloists and chamber musicians. Wigmore Hall also provides a showcase for exceptional young artists — some making their professional London debuts — and remains an essential platform as their careers flourish.
Discreetly nestled in Central London, the Hall – renowned for its intimacy, responsive acoustic and its Arts and Crafts interior – has a capacity of 552 seats, but draws in audiences from far and wide through its enterprising use of digital media and its ambitious learning and outreach programmes; these go beyond concert audiences to embrace schools, nurseries, hospitals, community centres and care homes.
As with all Spitfire libraries the musicians earn a royalty from every copy we sell. This royalty is also extended to The Wigmore Hall in the hope that it helps them continue the great work they do for music, for education and for the community.
GUIS
THE OVERVIEW PANEL
Gives you a quick and easy way to access, view and load the different articulations, mic mixes and essential controller functions which you can then re-assign to suit your workflow.
GENERAL CONTROLS PANEL
A deeper but still simple UI panel that allows you to tweak the general settings. How many round robins you would like and how you would like them to behave. How would you like memory to be organised alongside pitch options and how velocity works.
THE OSTINATUM
Quite simply a little inspiration machine. Not quite an arpeggiator, not quite a sequencer. This intuitive device allows you to build up complex patterns that react to your playing to achieve wild systems results tantalising Zimmeresque tension beds or cheeky multi-tonguing effects!
•46768 SAMPLES
•106.6 GB UNCOMPRESSED .WAV
•70.7 GB DISK SPACE REQUIRED
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发表于 2008-9-29 13:56:53