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[资讯] Ableton Live 11 Suite v11.0.5 MAC

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发表于 2021-7-14 | |阅读模式
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Ableton Live 11 Suite v11.0.5 MAC

使用 Live 的新设备创造更大胆的声音。通过大量工作流程改进保持流程顺畅。使用 Push 在远离计算机的地方做更多事情。使用精选库构建您的声音。并获得无缝内置的 Max for Live 的无限潜力。
Ableton-Live-Suite-Full-Keygen-Crack-Free-Download-600x363.png
Live 11 的新功能
创建您的完美镜头 进行录音和伴奏
现场将音频或 MIDI 演奏的多遍组织成单独的片段。挑选每场表演的最佳时刻,并将它们结合起来,创造出完美的表演。或者通过将库中的随机样本拼接在一起,以一种新的方式进行声音设计。

链接轨道编辑
链接两个或多个轨道以同时编辑它们的内容。这使得与多位音乐家一起编辑多轨乐器或表演变得容易和快速,同时保持跨轨道的所有内容及时。此功能也适用于 MIDI 轨道。

为您的音乐增添更多感觉 使用支持 MPE 的控制器
插入支持 MPE 的控制器,立即为和弦中的每个单独音符添加弯音、滑音和压力。添加微妙的表情变化,在和弦之间变形并创建不断变化的声音纹理。

什么是 MPE?
MPE 代表 MIDI 复音表达。这种使用 MIDI 的方式允许支持 MPE 的设备实时控制每个音符的多个参数,以获得更具表现力的乐器演奏。

尝试新设备混合混响
混合混响结合了卷积和算法混响。将您的声音放置在任何空间中,从准确的现实环境到挑战物理现实的环境。使用算法端添加控制和调制混响尾音,与卷积端并行或串联运行,或者像实时声音设计的乐器一样播放混合混响。

光谱谐振器
将传入音频信号的频谱分解为部分,然后以微妙或激进的方式通过频率或音符拉伸、移动和模糊结果。 MIDI 侧链输入还允许音乐家处理调中的材料,甚至可以像演奏和弦乐器一样演奏设备。

光谱时间
将声音转换为分音并将它们输入基于频率的延迟,从而产生金属回声、频移和混响效果。冻结功能捕捉并保留一段音频——无论是自由运行的还是与节拍同步的——以获得断断续续、毛刺和褪色的效果。

PitchLoop89
使用这款 Max for Live 音高变换设备与 Robert Henke 合作创建,并受到早期数字效果处理器 Publison DHM 89 的启发,创建抖动的故障效果、延迟的数字闪光和古怪的颤音。它是一种灵活的工具,可以为录音室中的声音添加特征,或用于舞台上的即时实验。

灵感来自大自然
六种有趣的乐器和效果是与 Dillon Bastan 合作创造的,它们以自然和物理过程为灵感。

在舞台上做更多
节奏跟随
Live 会根据传入的音频实时收听并调整其速度,使其成为乐队的动态部分,而不是每个人都必须遵循的速度源。当您 DJ 时,您甚至可以将 Live 变成一个速度同步的 FX 盒。

宏快照
存储您的宏的状态以备日后调用 – 非常适合在演奏过程中为您的声音或构建和下降创建即时变化。

机架改进
将您的机架配置为具有 1 到 16 个宏。使用随机化按钮随机化宏的状态。将此控件映射到 MIDI 并实时执行剧烈变化,让您的观众和您自己感到惊讶。

不可预测
注意机会
设置出现音符或鼓声的概率,让 Live 为您的模式生成随时间变化的惊人变化。

速度机会
定义模式动态中微妙的、人性化的变化的速度概率范围。

使用关注操作做更多事情
跟随动作现在可以链接到剪辑长度,从而更快地创建有趣的剪辑序列。场景跟随动作让您可以创建不断变化的安排。您还可以设置 Follow Actions 以跳转到特定剪辑并全局启用和禁用 Follow Actions。

处理新声音
新乐器
这三个乐器包是与 SPTF Audio 合作创建的,可为任何制作带来动态室内乐团的质感。

Live 11.0.2 发行说明
– https://www.ableton.com/en/release-notes/live-11/

经过测试,在 maOS Catalina & 上工作大苏尔
您可以使用您用来激活版本 10(同一台计算机)的 Authorize.auz 然后阅读我包中的安装说明



Create bolder sounds with Live’s new devices. Stay in the flow with a multitude of workflow improvements. Do even more away from the computer with Push. Build your sound with a curated library. And get the unlimited potential of Max for Live, seamlessly built in.

What’s new in Live 11
Create your perfect take Take recording and comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Pick the best moments of each performance and combine them to create your perfect take. Or approach sound design in a new way by splicing together random samples from your library.

Linked-track editing
Link two or more tracks to edit their content simultaneously. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks. This feature also works for MIDI tracks.

Add more feeling to your music Use your MPE-capable controller
Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.

What is MPE?
MPE stands for MIDI Polyphonic Expression. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances.

Experiment with new devices Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.

Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.

Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects.

PitchLoop89
Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.

Inspired by Nature
Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration.

Do more on stage
Tempo Following
Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. When you DJ, you can even turn Live into a tempo-synced FX box.

Macro Snapshots
Store the state of your Macros for later recall – perfect for creating instant variations to your sounds or builds and drops during performance.

Rack improvements
Configure your Racks to have between 1 and 16 Macros. Randomize the state of your Macros with the randomization button. Map this control to MIDI and perform drastic changes in real time to surprise your audience and yourself.

Be unpredictable
Note chance
Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.

Velocity chance
Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns.

Do more with Follow Actions
Follow Actions can now be linked to the clip length, making it faster to create interesting sequences of clips. Scene Follow Actions let you create evolving arrangements. You can also set Follow Actions to jump to specific clips and enable and disable Follow Actions globally.

Work with new sounds
New instruments
Created in collaboration with SPTF Audio, these three Instrument Packs bring the dynamic chamber ensemble textures to any production.

Live 11.0.2 Release Notes
– https://www.ableton.com/en/release-notes/live-11/

Tested, working on maOS Catalina & Big Sur
You can use Authorize.auz which You used to active version 10 (same computer) Then read Install Note in my pack

https://www.torrentmac.net/ableton-live-11-suite-v11-0-5/
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