Lindell Audio TE-100 v1.1.1 WIN 均衡滤波器

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Lindell Audio TE-100 v1.1.1 WIN 均衡滤波器

一段时间以来，每种硬件均衡器都必须针对特定目的进行开发，要求工程师将不同的EQ类型组合在一个信号链中，以便在任何给定的信号源上获得所需的频率响应。在处理这些声音时，他们将不得不接受由此产生的相位和互调失真的必要危害。1961年发行时，Klein＆Hummel UE-100通用均衡器改变了这一切。

这种全管式最小相位均衡器使用六个离散滤波器模块来创建带通滤波器的集合，这些带通滤波器可以为从声源混合到人声跟踪再到母带制作的任何应用创建动态曲线。当使用某些早期的UE-100在打印到胶带和乙烯基时，可以透明地过滤掉低频和高频的垃圾时，利用独特的按钮频率选择很快就变得司空见惯了。这提供了一种简便的方法，不仅可以调出设置，还可以在录制演奏时即时更改设置。UE-100以其温暖的音乐曲线和精确的响应而闻名，通过在频谱上增强和/或切割以形成“类似于类固醇的Pultec”的声音，提供了多种处理频率的可能性。

K＆H提供的电子管供电的通用声音和创新行为现在以插件形式提供给您。Lindell TE-100是原始硬件EQ提供的所有甜味和咸味频率处理的精确仿真。只需按下接口上的按钮和全管式过滤器旁路，TE-100便会以完美无缺的真实感重现这段德国的音频历史。仅在现在，一对立体声音响不会花费您10,000美元。

在TE-100的两端使用低通和高通滤波器来增强您的声音，然后以四个关键频率之一增强，并使用圆形或高Q架子带，以增加声音和感觉。在TE-100的中段创建双参数带通滤波器，以快速展现声音的真实本色。按钮式频率选择器提供了一种独特的方式来塑造您的频率响应，方法是将注意力集中在滤波器的每个转折频率上，并将这些频率移近或移开，同时让您的耳朵指导您的混音决策。

TE-100插件还添加了一些有用的额外功能，有助于改善数字环境中的工作流程：利用电平校准，内部过采样调整和模拟模式（可添加其他音色），在各种混音情况下保持完全控制和本底噪声取自原始设备。以0.5 dB的步长进行精确的增益调整，与通过原始硬件的旋钮提供的2 dB到3 dB的分辨率形成对比。借助Lindell TE-100，原始通用均衡器的遗留物可以以便捷的数字形式带入您的DAW，而这种形式对于硬件来说是真实的。

法律免责声明：Klein＆Hummel，K＆H和UE-100是Sennheiser，GMBH的注册商标。TE-100是由Lindell Audio根据自己的建模技术开发的。Sennheiser并未以任何方式认可或赞助TE-100，也未许可将任何知识产权用于此产品。
特征
忠实仿真60年代Klein＆Hummel UE-100老式均衡器的所有电子管和变压器电路
八个频段可让您为混音中的关键频率雕刻和定制完美的响应
经典的德国Rundfunk（广播）均衡器中的热管饱和度和乐团
创建同时切割和增强的动态频率响应曲线，就像类固醇上的Pultec
录音史上最受追捧的电子管均衡器之一。硬件包含不少于14个电子管！

支持的插件格式
AAX本机，AU，VST2，VST3

支持的操作系统
Windows 7至10

仅Mac Intel CPU（建议最低2 GHz）

PC
x64兼容CPU

系统要求
显示分辨率：1440×900px或1280×960px或更高
内存：2 GB RAM

安装程序v1.1.1（Win 32位，52.86MB）
安装程序v1.1.1（Win 64位，15 MB）

For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that.

This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”

That tube-powered universal sound and innovative behavior from K&H is now available to you in plugin form. The Lindell TE-100 is an exacting emulation of all the sweet and savory frequency treatment offered by the original hardware EQ. Right down to the pushbuttons on the interface and the all-tube filter bypass, the TE-100 re-creates this piece of German audio history with immaculate realism. Only now, a stereo pair won’t cost you $10,000.

Hone in on your sound with low and high pass filters at each end of the TE-100, then boost at one of four critical frequencies with rounded or high-Q shelf bands to add body and presence. Create dual parametric band-pass filters in the TE-100’s mid section to quickly bring out the true character of your sound. The pushbutton frequency selectors offer a unique way to shape your frequency response by focusing on each corner frequency of a filter and moving those frequencies closer or further apart while letting your ears guide your mix decision.

The TE-100 plugin also adds a few useful extra features that help improve workflow in the digital environment: Maintain full control across a variety of mix situations by taking advantage of level calibration, internal oversampling adjustment, and an analog mode that adds additional tone coloration and noise floor taken from the original unit. Dial in precise gain adjustments in 0.5 dB steps, contrasting the 2 dB to 3 dB resolution available through the knobs of the original hardware. With the Lindell TE-100, the legacy of the original Universal Equalizer can be brought to your DAW in a convenient digital form that stays true to the hardware.

Legal Disclaimer: Klein & Hummel, K&H, and UE-100 are registered trademarks of Sennheiser, GMBH. The TE-100 was developed by Lindell Audio based on its own modeling techniques. Sennheiser has not endorsed nor sponsored the TE-100 in any manner, nor licensed any intellectual property for use in this product.
FEATURES
Faithful emulation of the all tube and transformer circuit from the Klein & Hummel UE-100 vintage equalizer of the 60’s
Eight bands allow you to carve and customize the perfect response for critical frequencies in your mix
Warm tube saturation and musical bands from the classic German Rundfunk (Broadcasting) EQ
Create dynamic frequency response curves that simultaneously cut and boost – like a Pultec on steroids
One of the most sought after tube equalizers in the history of recording. The hardware contains no less than 14 tubes!

Supported Plugin Formats
AAX Native, AU, VST2, VST3

Supported Operating Systems
Windows 7 through 10

PC
x64-compatible CPU

System Requirements
Display resolution: 1440 × 900px or 1280 × 960px or higher
Memory: 2 GB RAM

Installer v1.1.1 (Win 32-bit, 52.86MB)
Installer v1.1.1 (Win 64-bit,15 MB MB)

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Lindell Audio TE-100 v1.1.1 WIN 均衡滤波器