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[音色] Kirk Hunter Studios Concert Strings 3 KONTAKT

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发表于 2010-3-6 | |阅读模式
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Kirk Hunter Studios Concert Strings 3 KONTAKT



                  

Kirk Hunter Studios Concert Strings 3 KONTAKT-SYNTHiC4TE截图使用个人玩家的独特优势很容易看到; 创建各种截面尺寸的能力。 例如,在第一首小提琴中,您可以从四首小提琴的小型“工作室”部分创建任何东西,或者召集16首小提琴的大型合奏。

其他优点:
控制每位演奏家体积的能力。
控制每个演奏家平移的能力。
控制玩家“紧密”或“松散”的能力将会启动每个音符,从而创造无与伦比的现实主义。
创造真正分裂的能力。 演奏和弦时,不要再有“浮肿”的声音和过多的复音。

然而,包含个人玩家的功能是不够的。 所以Concert Strings 3,设计有一个易于使用的界面,并被编程为提供一个快速的工作流程,充满了您期望的高端弦乐需要的一些必需的功能。

原文

Kirk Hunter Studios Concert Strings 3 KONTAKT-SYNTHiC4TE screenshot The unique advantages of using individual players was easy to see; the ability to create various section sizes. For example, in the 1st violins, you can create anything from a small "studio" section of four 1st violins, or call up a large ensemble of 16 1st violins.

Other advantages:
The ability to control each player’s volume.
The ability to control each player’s panning.
The ability to control how “tightly” or “loosely” the players would start each note, thereby creating unparalleled realism.
The ability to create true divisi. No more “bloated” sound and excessive polyphony when playing chords.

However, containing features for the individual players was not enough. So Concert Strings 3, designed with an easy-to-use interface, and programmed to provide a fast workflow, is stuffed full of the requisite features you would expect from a high-end string library, and then some.

The Concept
It’s pretty well-known that the market of good string libraries has become quite competitive. So in contemplating whether or not to develop yet another one, the focus would have to be filling a gap in this market. There seemed to be two gaps: 1. A string library that really has more “life” to it, and is extremely playable. While there are many good-sounding string libraries available today, it is our belief that there could be a more “in-your-face”, punchy and dramatic library that would not only sound fantastic on its own, but would work for users who were worried whether getting yet another new string library would both work on its own, and/or still work with their go-to libraries that they already invested in. The idea of the latter being to add vitality and complexity when mixed or layered with these other libraries. Concert Strings 3 has been tested in this way using many other popular string libraries, and the results were quite dramatic. They sound great on their own, or they really do add a new dimension to any existing string library you may already have. 2. An easy-to-understand and truly authentic “auto-divisi”. (See DivisiLive® below.)

DivisiLive®
Concert Strings 3 uses up to 16 different players in each instrument. Each player was recorded separately and is additionally programmed in its own group in Kontakt. Therefore, it is possible to implement a true divisi when chords are played. This means that no matter how many notes you play in a chord, no more than 16 players (depending on the instrument) will sound. The result avoids what would normally sound “bloated” and loud in other string libraries. Additionally, it enables you to write a chord in your score on one track with the proper results.

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Kirk Hunter Studios Concert Strings 3 KONTAKT | 8.74 GB
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