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[音色] Hollow Sun Vox Continental KONTAKT

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发表于 2010-1-18 11:25:43 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式
Hollow Sun Vox Continental KONTAKT| 82.38 MB

            

在此之前,各种风琴都是围绕着通轮技术建造的。这无疑创造了一个奇妙的(经典的)风琴声音,但使乐器变得沉重和笨拙(而且昂贵)。随着晶体管,它可以创建轻量级的、可移植的风琴....理论上是这样。

这些机关使用“分裂”技术(如后来的弦乐合成器),在那里有一个master top octave振荡器,而所有后续的八度音都是通过将频率分成两半,然后再一次完成的。它使这些晶体管的风琴能够有效地制造成本。

虽然Vox可能以其扩音器(例如传说中的AC30)而闻名,但实际上它是作为“传统”家庭和教会机构的制造商开始生活的。随着新的晶体管微技术的出现,他们看到了在他们的产品中使用这种技术的可能性。

Vox大陆是第一个(1962),并有拉条来创造声音。前三种白巧克力可以调整16 '、8 '和4 '寄存器的水平,而两个栗色的拉杆为正弦波和reedy锯齿波提供了主级控制。第四种白色的拉杆被称为“IV”(被称为“第四等级”),并引入了更高的谐音。下面是电源开关和一个开关,以激活一个简单的颤音效果。

当然,大陆的一个显著特征就是逆键盘。这种风格除了让事物看起来更有特色之外,没有任何作用。这种乐器的另一个独特之处是它引人注目的铬“z - frame”腿——与当时的木质风琴橱柜相比,它看起来很酷!

Vox继续制作了一个双手工大陆和其他版本的主题。后来,他们生产了捷豹,但许多人声称这是一个很差的大陆替代品。

尽管它缺乏一个“合适的”轮状器官的身体和深度,但它仍然有一种强大而独特的声音,至今仍有许多信徒。当通过一个amp和cab扭曲的时候,这个东西真的可以摇滚! !

Kontakt的版本已经经过精心的改编,以尽可能地再现原设计的前面板,但也有一些明显的优点,并配有amp和cab仿真、旋转扬声器以及更现代的效果,如合唱团和混响。甚至还有一个“伤害”控制,让你的“康妮”听起来更痛! !

特点:

44.1千赫/ 24位样本
各抽条分别取样
在有脚本的面板上完全混合
Amp和cab sim +旋转扬声器
“伤害”控制再现了一种被破坏的仪器
精心优化CPU使用率
5倍频程-扩展下八度

原文

Previously, organs were built around tone-wheel technology. This undoubtedly created a fantastic (classic) organ sound but made the instruments heavy and unwieldy (and expensive). With the advent of transistors, it was possible to create lightweight, portable organs.... in theory.

In practice, the majority sounded thin and weak by comparison. However, that sound in itself appealled to the new 'surf' and 'beatnik' music which was evolving at the time. The portability also appealled to groups. The Vox Continental was unusual in that it actually sounded quite good.... not cheap and cheesy like so many of its rivals.

These organs used ‘divide down' technology (like the later string synths) where there is a master top octave oscillator and all subsequent octaves are achieved simply by dividing the frequency in half and then half again and so on. It allowed these transistor organs to be manufactured very cost effectively.

Although possibly better known for their amplifiers (the legendary AC30, for example), Vox actually started life as a manufacturer of 'traditional' home and church organs. With the emerging new micro technology of transistors, they saw the possibility to use this technology in their products.
The Vox Continental was the first of these (1962) and had drawbars to create sounds. The first three white ones allowed you to adjust the levels of the 16', 8' and 4' registers whilst the two maroon drawbars offered master level controls for the sine wave and a reedy sawtooth wave. The fourth white drawbar was labelled ‘IV' (known as the 'Rank IV' - dunno why!) and introduced higher harmonics. Below these were the mains switch and a switch to activate a simple vibrato effect.

Of course, one distinctive feature of the Continental was the inverse keyboard. This styling served no purpose other than to make the thing look more distinctive. Another distinctive feature of the instrument was its striking, chrome 'Z-frame' legs - this thing just looked cool compared with the stuffy wooden organ cabinets of the time!

Vox went on to make a dual manual Continental and other variations on the theme. Later on, they produced the Jaguar but many claim that this is a poor substitute for a Continental.

The Vox Continental's most famous user was probably Ray Manzarek of the Doors but prior to this, it was also used by UK organist Alan Price (The Animals), the Dave Clarke Five, the Tornados and countless others.

Although lacking the body and depth of a 'proper' tonewheel organ, the Continental has a strong and distinctive sound nonetheless and still has many devotees today. When distorting through an amp and cab, the thing can really rock!!

The Kontakt version has been carefully scripted to recreate the front panel of the original as closely as possible but with some obvious advantages too and comes with amp and cab simulation, rotary speakers as well as more modern effects such as chorus and reverb. There's even a 'Damage' control to make your 'Connie' sound more beaten up!!

FEATURES:

44.1 kHz/24-bit samples
Each drawbar multi-sampled separately
Full mixing of drawbars on scripted panel
Amp and cab sim plus rotary speaker
Damage' control recreates a trashed instrument
Carefully optimised for efficient CPU usage
5 octave range - extended bottom octave
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发表于 2010-1-18 12:21:54 | 只看该作者
Hollow Sun Vox Continental KONTAKT ,学习了:victory::victory:
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