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Presonus Studio One Professional v2.6.2 For WIN OSX
PreSonus Studio One is a line of digital audio workstation (DAW) software made by PreSonus Software, Ltd for Mac OS X and Microsoft Windows. It is used for music creation, recording, and mastering.
Early development
In 2006, KristalLabs Software Ltd., a start-up company founded by Wolfgang Kundrus and Matthias Juwan, began working on Studio One in cooperation with PreSonus. Kundrus was one of the early developers of Cubase and was the primary author of Nuendo for Steinberg. Juwan had written version 3 of the VST plug-in specification, and written the freeware KRISTAL Audio Engine. KristalLabs later became an integrated part of PreSonus. Wolfgang Kundrus is current Managing Director and Matthias Juwan is CTO. Other members of the team who also originally came from Steinberg include Maik Oppermann and Eike Jonas.
Features：
Studio One runs on Windows and Mac OS X computers. It is available in four versions: Free, Artist, Producer and Professional.
Presonus intends Studio One Free for beginners to digital audio recording. It contains subset of the features in the other versions. However, it still includes unlimited track count and several audio processing plugins. As the name indicates, PreSonus offer it as a free download.
Studio One Artist is targeted for musicians who need basic recording features. PreSonus currently includes it with all hardware products. It does not support most third-party plugin effects or instruments.
Studio One Producer includes all the features of Studio One Artist, and adds support for ReWire and AU/VST plug-ins, MP3 import and export, and additional third-party content.
Studio One Professional is the top of the line. PreSonus intends it for professional-level music production. It features multitrack audio and MIDI recording, and an integrated mastering and Red Book CD authoring suite. Studio One Professional includes video playback and synchronization, and fully licensed Melodyne essential pitch correction. The top three Studio One versions feature unlimited audio, MIDI and instrument tracks, buses, and effects channels. They provide 26 PreSonus effects, four instruments, automation, latency compensation, 32-bit or 64-bit processing, real-time timestretching and—in the Pro version—Audio Unit, ReWire, and VST support (including VST3).
Studio One includes built-in audio effects: dynamics, delay, guitar amp modeling, master effects, equalization, modulation, metering, and diagnostics. It has four virtual instruments: Impact (drum sampler), Mojito (monophonic bass synth), Presence (which can play back SoundFont sounds), and Sample One (sampler).
Studio One features what Presonus calls the Control Link system.[4] Control Link lets the user assign knobs or faders from external hardware controllers to Studio One instruments, effects, plug-ins, or the console. A concept Presonus calls "focus mapping" lets the same hardware knob control different functions based on which on-screen effect or instrument is active. A direct one-to-one mapping is also available.
Presonus claims that Studio One has a more streamlined workflow than competing software. Studio One uses drag and drop extensively for importing audio or MIDI, adding effects to channels. or invoking virtual instruments. Studio One also uses a one-window concept: rather than run various functions in pop-up windows, Studio One keeps the UI in a single window with various panes that can hide or appear based on keyboard commands and on-screen buttons.
The developers claim that Studio One employs a state-of-the-art audio engine. Studio One Pro features a 64-bit floating-point version of this audio engine that automatically switches between 64- and 32-bit operation to accommodate 32-bit plug-ins. It has received favorable reviews for its sound quality, drag-and-drop workflow, and ease of use. Studio One Artist features the same audio engine, but always operates in 32-bit mode.
Several DAWs offer mastering capabilities, but most require separate applications to author CD or digital releases. Studio One Pro has this part of music production built into the recording and mixing workflow. The developers also include key mastering effects, like a multiband compressor and automatic dithering.
Studio One is compatible with any ASIO, Windows Audio, or Core Audio compliant audio interface. Each Studio One license entitles the user to five activations on a Mac and/or Windows computer, 64-bit or 32-bit. Copy protection is handled by an online user account that keeps track of how many times the user has installed the software.
In keeping with PreSonus' Louisiana roots, Studio One also ships with a free jambalaya recipe.
Presonus Studio One Professional v2
Workflow
Studio One®’s intuitive browser and drag-and-drop paradigm let you work faster and more creatively, so making music is more fun. Tasks that take multiple steps in most DAWs can be done in one or two quick, easy steps.
Faster
Macros and key shortcuts.
Key shortcuts enable quick execution of commands. In addition to supplying a full set of simple key shortcuts, Studio One® lets you create your own. Making the switch from Pro Tools, Logic, or Cubase? You can elect to use your familiar key shortcuts from those programs in Studio One as well.
Macros take things to the next level by letting you define a sequence of commands that can be assigned its own key shortcut or button. Whether a macro contains 3 steps or 20, any string of commands you perform frequently can be only one keystroke away.
Just finished a punch-in? Review it with a macro that disables the metronome and preroll and starts playing from the punch-in point. Don't like what you did? Another macro undoes the last try, turns the metronome and preroll on, takes you back to the location where you started, and begins recording another pass. It's addictive.
This video shows you Studio One's macro toolbar, tabbing to transients in audio parts, track resizing, and other features and enhancements added in version 2.0.5.
QuickSwitch between multiple open Songs.
Studio One can have multiple Song and Project documents open at one time. Not many DAWs can do that, and the ones that can make you wait while they reload virtual instruments and effects. You drum your fingers on the table and stare at the ceiling while the great idea that just came to you slips away.
Not with Studio One. A simple key shortcut instantly selects any open Song, and a few short seconds later, you're working on it.
Templates, console, and track-viewing presets.
Tasks like setting up a session and choosing which tracks to display or hide take time. They’re worth doing once but having to set up every session from scratch kills creativity and productivity. That’s why Studio One lets you customize your workspace and save it as a template that holds everything from I/O mapping to effects settings. The next time inspiration strikes, just launch Studio One, open a template, and record your new Song.
You often work on selected groups of tracks. Why should you have to look at tracks you aren’t dealing with? Studio One lets you see the tracks and channels you're working on and hide the rest. Of course, you can store these selections as console or track presets, so you can work on drums, then switch to working on guitars, always seeing only the tracks and channels you need.
Check out this video on track management in Studio One, offered in English, Spanish, French, and German.
A secondary tool is always at hand.
Studio One's shortcuts make for fast switching between tools but sometimes you only need to switch for a moment—to make a selection, for example. Studio One gives you momentary access to a secondary tool just by holding down a single key. As soon as you release the key, your primary tool is active again.
Contextual menus all over the place.
Right-click almost anywhere in Studio One, and a contextual menu will drop down. Right-click on the object you want to work on and select what you want to do to it from the menu. What could be faster or more intuitive?
Editable effects microviews.
Plug-in editor windows take up valuable screen space. If you just need to make a small change to a compressor threshold, why should you have to open a whole window, make the change, and close it again? That’s too many steps.
There's an easier way: PreSonus plug-ins can display a limited set of parameters in a tiny editor within the mixer. Click on the Compressor plug-in in the mixer and drag the Threshold control. Done. You can even see the resulting compression curve.
Perform multiple steps with a single gesture.
Submixing in other DAWs: Make a bus channel to be the submix master, then go to each source channel, one at a time, and change the channel output to feed the new bus.
Submixing the Studio One way: Select all the channels you want in the submix and choose the Add Bus for Selected Channels command.
Adding an insert effect in other DAWs: Select a plug-in from a very long drop-down list, then, once the plug-in comes up, select a preset for it.
Adding an insert effect the Studio One way: Drag a preset from the Browser and drop it on a channel or a track associated with it. Done. The plug-in is created and the preset is loaded. Or drag the effect to the inserts area and drop it right in the middle of an existing chain of effects.
Create a comp in seconds.
No one, but no one, has faster comping than Studio One. Audition a take or layer with the Listen tool, then select the passage you want, and it is immediately added to the comp. It’s fast and snappy!
Export loops and files by dragging to the Browser.
Create a loop in PreSonus's Audioloop or Musicloop formats simply by dragging an Audio Part or Instrument Part to the Browser. You can even drag an Audio Part to the Mac Finder or Windows Explorer to make a REX2 file.
The possibilities become positively mind-boggling when you add in Event FX because you can devise a loop, add processing to it, then just drag it to the Browser to bounce it to a new file.
Normalize, transpose, time-stretch, or resample in real-time.
Working quickly demands there be as little waiting as possible. Studio One’s fresh, efficient code lets you transpose or normalize tracks (or even individual Audio Events or Instrument Parts) and time-stretch or resample files, all in real-time. No waiting to render new files. And every tempo-tagged item in a Song immediately follows tempo changes.
Add fades to any number of Audio Events with a single keystroke.
The British dubbed it "top and tail" but it's just good housekeeping: Every Audio Event should have at least a small fade-in and fade-out to avoid clicks. You need a fast way to do that for every Audio Event in the Song.
The simple answer is Autofades. With one keystroke, every selected Event is given “top and tail” fades. Done. Next task!
FX Chains add an entire processing chain with a single drag-and-drop.
Do you have favorite compressor and EQ plug-ins for vocals? Maybe you worked up the huge stadium guitar sound using the Ampire XT, Flanger, and Analog Delay plug-ins. Getting that guitar sound again for your next recording is as quick as dragging the "HUGE Guitar" FX Chain you stored from the Browser to a new guitar track. You’re instantly right back in the stadium. For more about Studio One's Native Effects™ plug-in, click here.
Here's a video that shows just a few of the ways you can work faster with Studio One. (The video shows version 1.1—you can work even faster with version 2!)
Studio One is more than just fast. Find out how Studio One is easier and better, as well.
Easier
The Start page is your portal to the world of Studio One.
We thought about calling it the Ultimate Point of Departure page, but that didn't have the same ring. However, the Start page is indeed a jumping-off point to a host of useful destinations both in and out of Studio One®. When you need to configure, identify, be informed about, or access something, the Start page can probably take you where you need to go. From the Start page, you can open any of the Songs or Projects you've recently worked on, or even ones you haven't worked on in a long time. You can configure your audio I/O setup, access your SoundCloud account, even enter default metadata.
But the Start page is not just for when Studio One starts up; it is never more than one keystroke or click away.
↓ Read more about the Start page.
To watch a video about the Start page, click here.
Integrated single-window environment.
Some DAWs put lots of miles on your mouse, forcing you to click between windows constantly, yet never letting you see everything that is going on. It’s not an easy way to work.
Studio One integrates recording, editing, mixing, browsing, and, well, everything on the Song page into a single window, and Studio One Professional's Project page follows suit. Working in Studio One's integrated window environment is as easy on a laptop as it is on the high-def monitor in your studio.
See what you want, where you want it in your workspace.
An integrated window environment is fantastic, but sometimes you want to give the mixer, or an edit view, its own space. Studio One's detachable editors let you pull a view out for greater focus, then integrate it back into the single-window environment with one click.
You can see just the channels you need in the Mix view using its view panels and Channel list. Watch the Input channels when you are recording and hide them when you are editing and mixing. The Banks view panel gives you a meter for each channel, even when the channel is hidden in the mixer.
You didn't think we were going to restrict you to just a single-window setup, did you?
Tab access to channel effects or VIs in use.
Once you start working with a plug-in on a channel, the chances are good you'll also want to adjust another effect on that same channel. Studio One's plug-in editor has tabs across the top for all of a channel's insert effects, so there's no need to close one editor window and open another. Just click the tab.
Control at your fingertips when you want it.
Other DAWs make you open dialog windows to access sophisticated features like quantizing or Strip Silence. Just what you don’t need: more windows. Studio One keeps control centered in one window with panels that can be shown or hidden as needed. When you see them, they are right at the top of the view, where it is easiest to find and work with them. Powerful features like transient detection, Audio Bend markers, and macros are a snap to access and use, while Studio One's unique Info panel gives you a context-sensitive guide to what your cursor can do for you in the program.
Always know what time it is.
With two transport counters and a large time-display window, you will always know where you are in a Song or Project. Set one counter to Seconds and the other to Bars and see locations both as absolute time and in musical terms. The large time display puts up a window you can see from across the room, which is handy when you are recording yourself.
Customize your workspace with color-coding.
How sexy is color-coding? Okay, maybe not so much, but it sure does make it easier to understand which tracks are which and what Events still need editing. Studio One offers extensive color-coding, not just for tracks and channels, but for automation envelopes, Audio Events, Instrument Parts, even individual notes in Instrument Parts!
Sure, color-coding won't win any "hottest feature" contests but anything that takes your head out of your computer and puts it into your music is a good thing.
See and edit layers and automation envelopes in track lanes.
You made multiple attempts at recording a track, and now you want to make a comp from the layers to which you recorded. Or maybe you want to look at a few different parameters you are automating on a track. Studio One puts it all in front of you in track lanes that display just below the track itself. Comping is as easy as using Studio One's auditioning tools to find what you want and then selecting it. Multiple automation envelopes can be edited together simply by selecting across them. When you're finished, collapse the lanes back down to save space.
Drag-and-drop is in Studio One's DNA.
Grab what you want and drop it where you want it. It seems to us it really doesn't get any easier or more natural than that, so we made drag-and-drop a fundamental capability of Studio One. It's everywhere. Drag-and-drop to import or export loops, files, and content from PreSonus Exchange, SoundCloud™, and Nimbit®. Drag-and-drop to add or copy effects, make a new track, extract a groove from audio, or map parameters to hardware controllers with Control Link. Drag-and-drop audio from an arrangement to third-party plug-ins (assuming that the plug-in supports this feature). Convert audio part slices to the quantize grid via drag-and-drop. It's highly intuitive and extremely effective.
This video shows just a few of the things you can do with drag-and-drop. (It doesn't discuss saving virtual instrument and effects presets, audio files, and MIDI files by dragging back to the browser—but you can do that, too!)
One-click transient detection.
Transient detection is how Studio One figures out the tempo of an audio file. It can be tricky to do or it can be a simple matter of clicking a button. We chose the button. You'll find the button in the Audio Bend panel, where you'll also see how easily you can quantize or slice the file automatically after the tempo is determined. We just can't help ourselves: Making things easy is a habit.
For your viewing pleasure, here's a video about transient detection and editing in English, Spanish, French, and German.
Draw in LFO modulation with Pencil tool functions.
Question: What's the easiest way to add vibrato to an Instrument track?
Answer: Drawing it in with a simple drag. Studio One's Pencil tool offers four waveform functions you can use to create modulation.
But how easy is it to fade that vibrato in? As usual in Studio One, it's a single drag away: Select the Transform setting for the Pencil tool and drag a corner of the waveform area to reshape the modulation and make it fade in.
Export mastered songs directly to SoundCloud or Nimbit (Go Pro).
The entire album is mastered and ready for export, and you want to get it online for sale as quickly as possible. Click the Digital Release button and look in the Publishing section of the dialog. You'll notice a checkbox that says "Upload to Nimbit." Yes, that's right, one click and your files get uploaded automatically after exporting to your account with the leading direct-to-fan music service. C'mon, you can't tell us that's not easy! For more about Nimbit, click here.
But Nimbit is not the only place you can go from Studio One. Let's say you are recording every gig of your tour into Studio One, mixing and mastering it, then posting it to SoundCloud for your fans and friends to hear. (Perhaps you are even clever enough to record into PreSonus Capture™ from a StudioLive™ mixer, then open the Capture Session in Studio One.)
Take another look in the Publishing section of the dialog. There's an Upload to SoundCloud checkbox, as well as the Nimbit box. Same story: one click, and up your music goes to the leading musicians' sharing site. For more about SoundCloud, click here.
Open a Song for editing from a Project.
You've just started mastering your project, and suddenly you find a problem. It's the snare drum in one song. All of the mixes sound great but the snare is louder in one mix than in all the rest. Time to abort the mastering session, load up your mixing environment, make the change, export a file, reopen the mastering environment, import the file, and hope the level is right—if you’re using any other DAW. That’s no fun.
How about this: Click a button in the Project (mastering) page to open the Song document, make the change, and choose a command that automatically updates the mix on the Project page. And on you go.
Auto save preserves your work as you go along.
We have all suffered the pain and shame of lost data. That was the perfect take that just got accidentally lost. You should have been saving your work regularly. Fortunately Studio One was saving your work regularly with its Auto-save feature. Your brilliant take is saved. Hooray for Studio One!
Audio files can be automatically time-stretched to the tempo on import.
Grooves are rampant, and you're grabbing handfuls of loops and files like candy and throwing them into the Song. Seems like it will be a lot of hassle to get them all to the same tempo. Can't we all just get along? Of course we can. As long as the tempo is stored in the loop or file, Studio One can time-stretch a loop to the Song's tempo while its being imported. One less step for you. It's…so…easy.
Ease of use is extremely important—but Studio One is faster and better, too.
Better
Folder tracks for track management, submixing, grouping, automation.
Collect tracks into a Folder track, and you can hide or show them all as a group. It’s very nice but you can find that elsewhere. So we made Folder tracks do a lot more.
Assign the output of a Folder track to a Bus channel, and the tracks are submixed to that bus. The submix master can be automated on the Folder track. The tracks can be grouped through the Folder track, as well. Now that’s powerful.
Exceptional stability and performance.
The session is going along great, and then…ka-blam! We've all suffered ill-timed crashes. (Is there a good time?) No one can claim to know every possible way a program can crash but we're being honest when we say that Studio One is uncommonly stable. Combine stability with the exceptional performance gained from Studio One's tightly-written, yet shyly attractive, lines of code, and the result is an unbroken creative flow of the type you may have only experienced playing live.
The cherry on top of the sundae is that all that cozy code runs on a wide range of Mac® and Windows® machines, from laptops to desktops. Record in the studio and edit, and even mix, on a laptop when you're out of the studio.
Automatic plug-in latency compensation.
We saw where some guys were bragging about having recently added automatic plug-in latency compensation to their DAW. Bully for them. Studio One has had it built in from the beginning, and its compensation really is automatic: no settings to make. Your unruly plug-ins are just kept in time invisibly. That's better.
Tracking with plug-ins in real time is no problem with Studio One. Here's a video showing a recording session done in Studio One with a StudioLive mixer and an assortment of Native Effects™ plug-ins and PreSonus virtual instruments.
Customizable Browser provides direct access to the world.
The Browser is Studio One's window on the world. From the Browser, you can import to, and export from, your computer's file system; your sound library; online services like Exchange, Nimbit®, and SoundCloud™; and your Studio One user-data folder. Audition audio and MIDI files with the Browser's Preview Player, in time with the Song, if you like. Drag effects and virtual instruments into the Song. Studio One's Pool not only contains all of the audio files in the Song, but it can also contain associated files as Attachments.
With centralized access to so many data sources, it's a good thing the Browser can be customized to provide one-click access to any of them.
Gets the Job Done.
You really want to produce music, not mess around with software, so we designed Studio One to help you get the job done. No matter what phase of production you are in, Studio One® is ready for the tasks at hand, with powerful features, smart design, and rich resources. In this section, we walk you through Studio One, including plenty of tips and insights for beginners and pros alike.
Compose
From virtual instruments to tempo following to included content, Studio One makes writing music easy and fun.
Read more.
Record
Recording is hard if the session doesn't flow quickly and smoothly. Studio One greases the wheels to make recording almost effortless.
Read more.
Edit
Studio One makes light work of a lot of heavy editing tasks, like comping, groove quantizing, and editing across multiple tracks of MIDI data.
Read more.
Mix
Processing, automation, control surfaces—a lot is involved in mixing. Studio One helps you get it done and have fun doing it.
Read more.
Master
Mastering is the critical final step. Studio One handles it...masterfully.
Read more.
Share
When it's time to blast your music to the world, Studio One handles DDP and CD burning and connects you to Nimbit and SoundCloud
Sounds Better.
You can hear the difference with Studio One®. It just sounds better. This isn’t some happy accident, though: Studio One has a new 64-bit audio engine, written from the ground up.
Studio One provides truly high-resolution audio, recording at sample rates up to 384 kHz with 32-bit floating point resolution. Studio One Professional can operate its mixer with 64-bit floating-point, double-precision processing. When needed, Studio One's audio engine automatically switches to 32-bit processing on the fly for use with plug-ins that can only process 32-bit audio.
These are not simply theoretical advantages; the difference is audible. Our opinions are a little biased, we admit, but we encourage you not to take our word for it. Take a look at what others have to say about the sound of Studio One, how smooth and "analog" it sounds. Most of all, listen for yourself.
21st Century DAW
Studio One® is the DAW for the 21st century. The software connects directly to the Web so you can share what you've created, sell your finished works, and download what others have done—all from within the program. An RSS feed delivers Studio One-related news and information and alerts you when a new version is available and gives you a link to a download page.
From you to the world (and back).
PreSonus Exchange brings your work to others and theirs to you: swap presets, Soundsets, grooves, macros, and more. You can also download new Studio One Extensions, factory presets, and international language packs. It’s easy: Download from Exchange simply by dragging from the Exchange folder in the Browser into your Song or Project.
With free two-track Capture Duo or affordable 32-track Capture for iPad (both available from the Apple App Store), you can record your tracks on an iPad wherever you roam on Planet Earth, then transfer the tracks wirelessly to Studio One (2.6.3 or later).
Studio One also lets you share your music on SoundCloud™, the site where musicians go to hear what other musicians are doing. Downloading is similar to Exchange: Drag from the SoundCloud folder in the Browser into your Song or Project. To upload (in Studio One Professional), check a box in the export dialog. That's right, upload directly from Studio One by checking one box. What's not to love about that?
When you are ready to market your finished music, Studio One makes it easy by connecting you to your account on Nimbit®, the leading direct-to-fan musician’s-services site. Once again, just export your work and check a box. Your music can be on sale minutes after you finish exporting the final version.
State-of-the-art technology.
The engineering team that created Studio One has been developing DAWs for many years. With Studio One, they had the opportunity to create a new DAW from the ground up that would be lean, fast, and take advantage of the latest computer technology.
The result is a highly optimized and streamlined codebase that makes minimal demands on your CPU and is written for multicore processors, so Studio One takes full advantage of the maximum computing power your multiprocessor system can deliver. It also uses 64-bit memory addressing, so when run under a 64-bit operating system (such as Windows 7 and 8 and Mac OS X 10.6 Snow Leopard and later), the software can address as much RAM as your computer can handle.
The practical advantage is that you can have more tracks, more effects plug-ins, more virtual instruments, and speedier processing.
What You Get
When you buy Studio One®, you not only get a deep, state-of-the art, yet easy to learn DAW that makes workflow seem like playflow; you also get a wealth of plug-ins, loops, instruments, and other content, plus integration with your external audio hardware. Furthermore, you become a valued part of the active and welcoming Studio One community, with whom you can share Studio One resources and tracks, as well as tips and ideas. And of course, you get top-flight PreSonus technical support.
Computer system requirements:
Studio One® is a modern, cross-platform DAW that is capable of operating as a 32-bit or 64-bit application. While we make every effort to ensure Studio One will run well on the widest variety of computers possible, please read these specifications carefully to determine compatibility with your system.
Below are the minimum computer-system requirements for Studio One.
Mac
Mac® OS X 10.7.2 or later
Intel® Core™ Duo processor (Intel Core 2 Duo or Core i3 or better recommended)
2 GB RAM (4 GB or more recommended)
Windows
Windows® 7 x64/x86 SP1, Windows 8 x64/x86
Intel Core Duo or AMD Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
2 GB RAM (4 GB or more recommended)
Mac and Windows systems
Internet connection (not required on machine where Studio One is installed but needed for activation)
DVD-ROM drive
Monitor with 1280x768 resolution
20 GB hard-drive space
PreSonus Notion Music Notion v4.0.325
You can download additional instruments, sound effects, and playing techniques to your Notion sample library instantly and affordably. Individual instruments sets can be purchased. Or you can purchase instrument collections with even greater savings.
Current expansion sounds include Banjo, Mandolin, Acoustic Guitar (Fingered), Advanced Strings Section Techniques, Saxophones and a variety of percussion instruments and sound effects.This release includes the latest version of all the Expansion Sounds Sets: Violin Section, Viola Section, Cello Section, Bass Section, Sopranino Sax, Soprano Sax, Contrabass Sax, Drums, Cymbals, Percussion, Pitched Percussion, Effects, Banjo, Mandolin, Acoustic Guitar (Finger-style), Classical Guitar, Flute Section, Flute Duo, Clarinet Section, Clarinet Duo, Oboe Duo, Bassoon Duo, Horn Section, Trumpet Section, Trombone Section, and the Jazz Bundle.
Installation/Cracking Notes:
– Unrar, burn or mount the file r-nmx4im.iso, and then open the enclosed file NotionExpansionSounds.pkg to install the Notion Expansion Sounds.
– (You can safely ignore the warning message about the certificate that Notion Music used to sign the package being invalid because it has expired and continue with the installation.)
– Copy the enclosed updated file “Bassoon Duo Expansion.prox” to the folder where the Notion Expansion Sounds were installed (usually “Macintosh HD/Library/Application Support/Notion Music/Notion 4/Sounds/Expansion”).
– To make sure that Notion 4 will load all the installed sound files (also called samples), do the following:
– Start Notion 4 and, in the menu bar, click on Notion and then on Preferences.
– In the Preferences dialog box, click on the Audio tab and then on the Choose button next to the “Samples Folder”.
– In the Open dialog box, locate and click on the Notion 4 Sounds folder (usually “Macintosh HD/Library/Application Support/Notion Music/Notion 4/Sounds”) and then click on the Select button.
– Wait for the message box with the progress indicator to close.
NOTE:
– Our patch, which was included in those releases, works on both the 64-bit and the 32-bit versions of Notion 4, and will allow you to run Notion 4 and use all the available Notion Expansion Sounds without having the need to activate them.
home page:
Presonus Studio One Professional v2.6.2 For WIN OSX
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发表于 2008-10-12 11:36:02