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Hideaway Studio The Orbitone Collection II KONTAKT
Orbitone Collection II被认为是对复古温暖电子高质量原始版本的延伸，采用复古技术的不寻常组合进行...
拥有世界上最古老的弦乐合成器，永远不会！
1972年的Eminent 310 Unique是一款非常不寻常的混合风琴和弦乐合成器，但其特别特别之处在于三联平行模拟合唱处理器和6个免费运行的时钟调制低频振荡器（Orbitone）。正是这种复杂的多路径模拟效果，使得310U上的着名弦乐非常特殊，并且稍微简化了一些技术，后来在Solina和ARP Omni弦乐合成器中得到了很好的效果。它最初的开发目的是为了有效地使一级锯齿变为三级高度运动，而无需诉诸三个独立主振荡器的完全分割链的非常显着的花费和复杂性。
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原文
Orbitone Collection II was conceived very much as an extension to the original release of complex warm electronic textures made with unusual combinations of vintage technologies…
Featuring The Worlds Oldest String Synth That Never Was!…
The 1972 Eminent 310 Unique was a very unusual mix of combo organ and string synthesizer in its own right but what was particularly special about it was the triple parallel analog chorus processor with 6 free running clock modulating LFOs better known as the Orbitone. It is this complex multi-path analog effect that makes the famous strings on the 310U so very special and slightly simplified technology was later used to good effect in the Solina and ARP Omni string synthesizers. It was originally developed to effectively make one rank of sawtooths become three with a high degree of movement without resorting to the very significant expense and complexity of three full divide down chains with independent master oscillators.
Being a self confessed boffin it suddenly occurred to me one day that I had a fantastically rare opportunity on my hands to attempt to feed 1938 Novachord 346 through the Orbitone stages on the Eminent. After consulting the 310U’s sea of schematics for some time I determined a potentially suitable point to inject an external audio signal. To my delight this resulted in quite simply some of the most organic synth strings I’ve ever heard..
All those lumps bumps and imperfections are thrown into a rich soup of analog processing and the result is truly delicious!
Now armed with this monstrous analog effects processor I got curious and fed a number of other sources through it including one instrument that is known to be a little weedy in isolation namely the little CS-01 monosynth. As well as the Novachord I sampled offerings from new patches I dialled up via the 310U Orbitone stages from the Juno-106, CS-01, Crumar Bit One and Omega 8. In addition to this some new sampled material was taken from the instruments via an analog chorus unit including a series of brass and guitar timbres. Some of the guitar sounds were also created by passing Minimoog 7751 and the Bit One through a 1960’s Echo-Reverb featuring a tube buffered electrostatic Tel-ray “Oil Can” delay unit. A further resonator choir was made by feeding the Juno-106 through the rehoused Polymoog Formant Resonator. In addition, a combination of organ stops were sampled directly from the Eminent and a further harpsichord patch was dialled into Polymoog 203A 3211 courtesy of Will Gregory of the electronic music duo Goldfrapp.
Orbitone Collection II utilises the same proven 4-voice layering engine as the original release but operating on a brand new sample set constructed using a different combination of source instruments and techniques.
Combined Libraries…
As well as the new library featuring 40 example patches and 40 layered multis, a further 40 combined layers have been created that combine patches from both libraries together to form new layered instruments and textures. The new sounds have been presented as a merged installation thus permitting the user to access and walk through patches from both libraries as one.
*Equipment Used: 1972 Eminent 310U, 1976 Minimoog, 1938 Novachord, rehoused 1978 Polymoog Formant Resonator Section, 1960’s Echo-Reverb tube “Oil Can” Delay, Polymoog 3211, Juno-106, Crumar Bit One, Studio Electronics Omega 8, CE-300 chorus, CS-01.
The Orbitone Collection requires Kontakt version 4.2.2 or higher.
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Hideaway Studio The Orbitone Collection II KONTAKT | 0.98 GB
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发表于 2008-8-6 15:47:46