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Impact Soundworks Koto Nation v2.0 KONTAKT
最深处的koto,bass koto和shamisen图书馆发行，有世界级的表演者Masayo Ishigure!2 mic位置，广泛的动力学和RRs,FX补丁和广泛的传统和现代发音。我们创造了Koto Nation，希望看到传统的日本乐器能得到深入的、彻底的取样处理，就像我们广受赞誉的北印度样本库斯塔国家。
虽然有一些库包括koto和shamisen的样本，但它们只有最基本的发音和很少(如果有的话)速度或动态和循环层。据我们所知，bass koto从未被采样过!考虑到在许多西方电影配乐中，shakuhachi和taiko的受欢迎程度，我们想让电影作曲家、业余制作人、民族音乐学家、动漫迷以及所有人都能接触到这些经典乐器，并完成传统的日本声音。
这个图书馆包含了大量的样本，涵盖了各种各样的传统和延伸的演奏技术，所有这些都是由koto legend Masayo Ishigure(艺伎回忆录)录制的。这包括关闭和立体声的房间麦克风位置!共有25个主要补丁中传播三个乐器涵盖所有重要的演奏技术,如持续选择拨子,拨奏曲,八度,滑音的多种类型和速度,颤音,颤音,波音(沥青弯曲),或设置静音,以及扩展技术,如无调性滑音,手指擦伤,弦支安打,硬拔。
记录每个发声的多个动态和循环层，以及在适当的速度或音调上的变化;例如，koto tremolo可以在两种主要的速度(有良好的速度控制)的情况下播放，可以设置为全调或半调，glissandi可以播放缓慢、快速、升序、降序或混合顺序等。这种令人难以置信的深度采样允许无与伦比的现实主义，允许仪器单独在一个单独的环境中，以及在一个更大的构图中。
原文
The deepest koto, bass koto and shamisen library ever released, featuring world-class performer Masayo Ishigure! 2 mic positions, extensive dynamics and RRs, FX patches and extensive traditional and contemporary articulations. We created Koto Nation out of a desire to see traditional Japanese instruments receive a deep, thorough sampling treatment, much like our acclaimed North Indian sample library Sitar Nation.
While there are a handful of libraries which include samples of the koto and shamisen, they feature only the most basic articulations and few (if any) velocities or round robins. To our knowledge, the bass koto has never been sampled at all! Given the popularity of the shakuhachi and taiko in many Western film soundtracks, we wanted to allow film composers, hobbyist producers, ethnomusicologists, anime fans and everyone in between access to these classic instruments and complete the repertoire of traditional Japanese sounds available.
This library includes a massive number of samples spanning a wide variety of both traditional and extended playing techniques all recorded by koto legend Masayo Ishigure (Memoirs of a Geisha). This includes close and stereo room mic positions! A total of 25 main patches spread among the three instruments cover all crucial playing techniques, such as sustained picks with a plectrum, pizzicato, octaves, glissandi of multiple types and speeds, vibrato, tremolo, mordents (pitch bends), and mutes, as well as extended techniques such as atonal glissandi, finger scrapes, string hits and hard plucks.
Multiple dynamic and round robin layers were recorded for each articulation, as well as variations in speed or tonality where appropriate; for example, the koto tremolo can be played at two main speeds (with fine speed control), mordents can be set to whole-tone or half-tone, glissandi can be played slow, fast and in ascending, descending or mixed order, and so on. This incredible depth of sampling allows for unparalleled realism, allowing the instruments to stand alone in a solo context as well as in a larger composition.
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Impact Soundworks Koto Nation v2.0 KONTAKT | 3.26 Gb |
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发表于 2007-11-19 22:29:54