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[转载] 滚石杂志的500张历代最强专辑的名单

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发表于 2005-4-16 21:44:00 | 显示全部楼层 |阅读模式
滚石杂志的500张历代最强专辑的名单!/ @( s% M$ F, r6 B. n& I4 }- t- w
1. Sgt. Pepper‘s Lonely Hearts Club Band, The Beatles
, g5 w# h* d+ R+ z3 M
* h) c; T! q3 O+ y2. Pet Sounds, The Beach Boys4 b, S( L0 \, f- ]# e9 B& X

4 W; C1 n$ w' S" R3. Revolver, The Beatles
8 D  H, ~: ~, p- W& O/ t
( D0 i* |7 v* ^+ X+ y) k4. Highway 61 Revisited, Bob Dylan
3 u: f4 G$ Z. Z  K# q7 O+ K
9 M. N2 Y$ ^! a. ?) u5. Rubber Soul, The Beatles0 j* c& ^9 V8 @  Y. V4 E1 {

. w8 f, m! o% S0 M6. What‘s Going On, Marvin Gaye
3 m7 Z4 y6 ~& X5 F; k
4 c) ?* U1 M. ?7. Exile on Main Street, The Rolling Stones
0 X: e$ f0 A' s
1 B% f$ Z0 ^! t% g8. London Calling, The Clash' X0 V1 D* C, T# ^0 l; `: _
% O1 W0 @' p- P/ }7 _! @
9. Blonde on Blonde, Bob Dylan3 X7 M( J# C( T& [! _& u& B
2 E2 x- s; |1 }5 W+ I8 r
10. The Beatles ("The White Album", The Beatles3 O1 t5 F3 R) @$ g+ |4 {- }

6 Z! s: k# `6 r11. The Sun Sessions, Elvis Presley; ~' Y; b2 ^( [, R/ o! J- v

7 ~" p. T, \' v4 G6 B12. Kind of Blue, Miles Davis, d7 {* U& Z0 g  }" J2 e! r: [
3 `, k. [" I( |# j% g
13. Velvet Underground and Nico, The Velvet Underground
9 L- V1 w- z8 L1 h% m, W! a- Y8 A* d& y4 \0 [: G! c/ u
14. Abbey Road, The Beatles
( a8 k# N+ N+ c. Y( C! l
+ I- S) e  ~( @" G15. Are You Experienced?, The Jimi Hendrix Experience
' L3 C2 g+ I( X7 O( u" Z- z+ R2 ?) @8 l6 i9 e/ E2 ~3 h
16. Blood on the Tracks, Bob Dylan4 T" U- w, h8 |1 q- j/ i' l
3 C" ^- j' c, @* w. k- y( h
17. Nevermind, Nirvana3 s. x' k3 K0 d) t3 Y/ J
& d8 N% R. ?/ |: l1 I& ]& T
18. Born to Run, Bruce Springsteen  w6 V/ h& x" F; f

# D  Y0 O9 H7 w% x19. Astral Weeks, Van Morrison! }, ^# H# d* Y, L5 H% P( f

; U( ?. [# r6 u: N20. Thriller, Michael Jackson
2 q0 \2 j" l# d4 F5 X) f
' J( C9 E$ M" C6 Q: B7 r21. The Great Twenty-Eight, Chuck Berry! t% ~! a6 k( o0 ?, A( J5 F8 b
: F9 `9 R6 O) o
22. Plastic Ono Band, John Lennon
( ?6 z. k1 @# u& x' N: `7 {
) X. C4 R# r6 _+ q" Z" y- m23. Innervisions, Stevie Wonder, v$ `1 }* R# @$ _, U0 {
, Q  H: u! s/ y2 b0 m" B' O2 `
24. Live at the Apollo (1963), James Brown/ L! i7 t+ I5 l5 y4 e  R" I
1 u% ?9 i  X8 y2 y- }7 a
25. Rumours, Fleetwood Mac
: U; e! w9 j7 d- x
! L8 j1 k1 i' I26. The Joshua Tree, U2; v1 g* L7 Y. ~, |4 n
  D. P9 t" n, a; O: C( g
27. King of the Delta Blues Singers, Vol. 1, Robert Johnson
1 R6 }6 }0 {0 U9 x% X. j5 b; J+ c6 N& Q  F, a# ]8 M
28. Who‘s Next, The Who. e; W, `: T3 r& i; `  |' h4 g
. ]/ s# O3 t: I& X* H4 o8 K) G1 E
29. Led Zeppelin, Led Zeppelin
: a9 C+ e" N. T
! h. o% h% q& [# ~! q5 X7 Y* F8 f30. Blue, Joni Mitchell
) Z# C( x; u6 \( B0 K8 j. e
6 H1 g4 _7 Z1 s/ N$ a( M. r4 _31. Bringing It All Back Home, Bob Dylan
% C% h' L) L2 R/ r( u7 u* c% f6 n- K5 P& I
32. Let It Bleed, The Rolling Stones4 i! H$ p8 x. z  j, D; ]% K

: P) X2 i; ?9 x$ w9 m33. Ramones, Ramones
, i7 E; r6 P/ P: S7 H" X& h1 o* \- h, t! U: L
34. Music From Big Pink, The Band
0 [4 F; C* c; f& H- ]3 Z/ D' b* P: G* k! {5 U/ _4 d
35. The Rise and Fall of Ziggy Stardust and the Spiders From Mars, David Bowie, j8 i% }. z, m1 ^* b

, {% e4 K, Z" E. K0 a36. Tapestry, Carole King7 j. s- ]1 e/ g
2 T& s  ]2 \$ _5 z0 y
37. Hotel California, The Eagles
1 `' m2 G9 ]1 ]& K/ L$ `2 y& o% m5 N$ @. k
38. The Anthology, 1947 - 1972, Muddy Waters
2 S' p. u, k% Q  D+ l7 L3 u9 P. F1 k" G3 s" S7 G
39. Please Please Me, The Beatles; a+ N0 c2 k% _
  @$ c) G6 y+ }
40. Forever Changes, Love2 l$ C4 \5 M" b0 Z% _& g4 W7 P' y

0 i" }8 t1 n- F6 p' J' J$ T3 y! ^4 V41. Never Mind the Bollocks, Here‘s the Sex Pistols, The Sex Pistols; X9 ~7 y* g1 v: a. W: c1 R; _. G

4 @5 V7 w8 x# q: G* E+ ]' G( K42. The Doors, The Doors3 R8 q/ [; W# d' w% N* I  ^
6 @8 q& X% O6 ~# n7 Q6 Y* E3 R$ Z
43. The Dark Side of the Moon, Pink Floyd
6 d: ^2 ]$ T# p6 S$ d5 U1 J6 h( t5 y" M4 Q5 I' X% Y: R, ?
44. Horses, Patti Smith8 ]: }7 |4 w# A
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45. The Band, The Band# ?0 W* {* |0 a( a. d
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46. Legend, Bob Marley and the Wailers
9 B( K8 N* z( X$ ?2 j8 k0 Z9 ~6 [7 z$ I0 E
47. A Love Supreme, John Coltrane! U# p; L% f' V3 V" m5 ]
9 C; J2 P3 h, Z9 U2 ?
48. It Takes a Nation of Millions to Hold Us Back, Public Enemy
" z" ~1 m; }8 j8 i, z6 D
7 }7 ~/ R) \' z* K6 V# D  U; y. i49. At Fillmore East, The Allman Brothers Band) k$ w- t2 l9 l  a4 B

; S: G$ @6 `% r8 c& }50. Here‘s Little Richard, Little Richard9 m( ^- C7 \  u
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 楼主| 发表于 2005-4-17 20:03:00 | 显示全部楼层

! n) }( N4 u1 c2 O* S: [51. Bridge Over Troubled Waters, Simon and Garfunkel# W2 h; r( D3 z9 o. t% X6 Y

1 l; l7 s) p. w52. Greatest Hits, Al Green: Q+ `2 z. P9 b! a, X$ J* ?' S

3 @3 r( o5 G* }- R- v3 ^! i% H53. The Birth of Soul: The Complete Atlantic Rhythm and Blues Recordings, 1952 - 1959, Ray Charles' r% r* O: J! q! ^5 c
1 N: N2 N% @% P' C6 g
54. Electric Ladyland, The Jimi Hendrix Experience
; ~8 f& _, S/ @6 n% }' A& ]5 w! N# y% p) {; I
55. Elvis Presley, Elvis Presley
/ G9 l4 a$ R9 @) b0 x2 K
3 \/ `, q( L  J0 ?; _56. Songs in the Key of Life, Stevie Wonder- X0 x# Z: S( F) r
7 i, u2 o1 S. f( E- M
57. Beggars Banquet, The Rolling Stones) Q: Z5 B+ c/ Z4 l" R) b) |

, v9 j3 v% x% J' J5 s58. Trout Mask Replica, Captain Beefheart and His Magic Band
- t$ `, i2 r2 Y. j% Y: i
3 C; Q8 q( p$ k; A59. Meet the Beatles, The Beatles) c* L- l# O+ e0 w2 w
1 ?% |3 ~8 v6 P- `# N
60. Greatest Hits, Sly and the Family Stone  m- l& o8 n" I$ a8 I0 k$ t
5 o5 [7 k) \- c) U9 y
61. Appetite for Destruction, Guns n‘ Roses, b3 V/ F, [5 U

% O* Z  E* `) M6 m( m# B+ G7 C+ S62. Achtung Baby, U2  K# n' [, f/ k+ C6 d% M
5 U0 T0 [$ E& r- P% Q9 ^- }# ]' F
63. Sticky Fingers, The Rolling Stones
+ y& }3 p1 h% P4 g1 I0 J; T/ A- r! D" }# R; m
64. Phil Spector, Back to Mono (1958 - 1969), Various Artists
* E. E& J% k9 N" W
: f, g* Y1 X: x! E65. Moondance, Van Morrison  j: [' O- n9 [

0 i- ^0 e( S$ ], g/ B  |( w3 ?5 P66. Led Zeppelin IV, Led Zeppelin' s0 S9 f* I& G& V# ^4 r
7 y2 O- D/ A: _
67. The Stranger, Billy Joel+ w& i) J3 \7 t! e; y) s% h

$ E) X5 `. F9 M; ?7 O" r68. Off the Wall, Michael Jackson
3 V. T1 \- p  s8 \
7 s* ]& X; l4 C' B% z( j- ?69. Superfly, Curtis Mayfield
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/ o& O% }0 S! W* O8 F3 {70. Physical Graffiti, Led Zeppelin. I! }4 l3 g% F5 x# G6 M

4 z6 |* ^" }+ F" U2 F1 d; C71. After the Gold Rush, Neil Young1 F+ x. _2 N- S* I

3 r( s8 K8 x* \/ Y' {! |72. Purple Rain, Prince  h6 C' B' q2 y+ b1 F+ O+ |& Q. g

% ]# @5 d) w2 s6 E( r5 k4 Q73. Back in Black, AC/DC/ |9 J( c! B# n5 u- m6 r
- J. b' J8 [6 i
74. Otis Blue, Otis Redding* `9 I5 b. k+ M- s  `4 {

- ~6 ]) {! w% ?$ j  \75. Led Zeppelin II, Led Zeppelin
- U3 _' G% d3 |3 c
3 c9 W* F4 K" _+ C4 K76. Imagine, John Lennon) f% C! B* I; ^8 D: d( ~

5 x$ n5 D9 L3 K' P1 e$ h1 s77. The Clash, The Clash
5 K/ }; m7 C; [3 {% a3 J2 l. p! ?; @5 q3 [$ V
78. Harvest, Neil Young+ w' g/ L5 B" N  h$ n" P# S" u1 i
8 }, f6 f* K" {4 _9 L, Y
79. Star Time, James Brown
! }' N# X7 }; x, T4 A' p. k/ y7 P9 t/ ?+ t& k; I7 C
80. Odessey and Oracle, The Zombies
" i8 [$ G& i6 N0 g; a+ j# {& k
( ]* X+ L% Y& ]6 N  |% i81. Graceland, Paul Simon
! t/ d! D2 E0 n, b& s: j, N' z8 |2 Q3 C3 `; b. y  t! C1 E
82. Axis: Bold as Love, The Jimi Hendrix Experience, h' t% X; X6 b
  c6 k3 ^, W2 Z, I
83. I Never Loved a Man the Way I Love You, Aretha Franklin- }7 D( b# j3 K# f$ I0 v$ ~5 g9 X
# U* m$ F8 D/ ^1 K( `' M
84. Lady Soul, Aretha Franklin
" P# h  {8 G- j+ W$ U% ~/ {, n, [$ H* [
85. Born in the U.S.A., Bruce Springsteen( x8 A( C; \" U

; ^) l6 K; O- _86. Let It Be, The Beatles# Z7 \$ i# e* a3 M- b! V3 G
6 _: n; ?9 @- h7 q9 m7 t4 Y$ R
87. The Wall, Pink Floyd/ _' ~+ h5 b& s+ u

+ w* o/ v# P- ~88. At Folsom Prison, Johnny Cash$ D" H6 d- W+ U. E1 s# P
# y! B4 x0 s7 u# W2 G
89. Dusty in Memphis, Dusty Springfield
/ T! d  d2 N0 \
$ |4 ^& b5 X8 s90. Talking Book, Stevie Wonder! z, \3 m$ K) r2 _1 a1 m( d8 h: `2 l! f
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91. Goodbye Yellow Brick Road, Elton John, Z- \6 b# }, I+ K0 y6 B( N
2 E3 ?' A5 F  u9 z7 \8 H9 E
92. 20 Golden Greats, Buddy Holly
5 u0 a' ~) D. y: E6 s* u* p3 S, j  d. P
93. Sign ‘o‘ the Times, Prince
" f7 [  R  p6 A+ q7 O2 e. ^
% r3 j9 V7 Z' _9 i94. Bitches Brew, Miles Davis! J. r& w% n3 N' I( `

: c8 x9 @5 v3 q% _) g# C95. Green River, Creedence Clearwater Revival
5 O8 x4 P* A  m4 h  U5 A5 u7 s- b( K2 \
96. Tommy, The Who
# z- Y) \5 |' z7 m: b! I& C- y4 t% G* [- z
97. The Freewheelin‘ Bob Dylan, Bob Dylan+ Q& W) x# E" F7 q, D  w; A4 \
7 ?% b! s) A# Q/ P. v* r
98. This Year‘s Model, Elvis Costello
4 E8 I1 l/ k# e0 r& o% X( Y* z  t3 z* V! `) B- K
99. There‘s a Riot Goin‘ On, Sly and the Family Stone
) P4 k" p% c0 v
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 楼主| 发表于 2005-4-17 20:09:00 | 显示全部楼层

, o  v( [# K, n4 |100. In the Wee Small Hours, Frank Sinatra- I3 v$ {; L* C7 `: B
6 B; S, P- w+ @
101. Fresh Cream, Cream" \  Y6 e' V; {3 W- _, [- I
102. Giant Steps, John Coltrane3 \! |2 t  F. O# Q- J2 Z: C
103. Sweet Baby James, James Taylor
3 R* c" v# H0 A5 J% f3 ^( c
) A2 G" l# n) {& I104. Modern Sounds in Country and Western Music, Ray Charles
: Y5 o$ I6 I: |: E7 b, ^0 Q" w4 W, w! N  H5 m( C
105. Rocket to Russia, Ramones
0 O) ~5 o# y8 S6 C2 _$ S
( H/ O) p# q$ U$ z& I106. Portrait of a Legend 1951 - 1964, Sam Cooke
$ R( s. e1 a' }6 h# H/ N7 M' l6 `* {- B3 f( B
107. Hunky Dory, David Bowie
3 @& G, L3 ?7 S
0 k- s$ w$ x$ v108. Aftermath, The Rolling Stones
2 m+ I- O/ X9 x4 K9 @, }) D
0 e7 T7 `/ n1 g109. Loaded, The Velvet Underground
/ J6 u0 v) g' J6 D8 j2 z! y+ [+ v# R+ X# }
110. The Bends, Radiohead
& `( q' b- w) L* `1 q7 c8 x
% M- k1 {! y4 O5 M5 |111. Court and Spark, Joni Mitchell
3 ~' q( Z, |4 y2 O) L+ m6 Z6 a1 _) \
& [$ j: ?7 e$ v112. Disraeli Gears, Cream
! \- M, i) @+ V$ B- }# K
" L$ ~3 G6 v7 V2 b113. The Who Sell Out, The Who. [5 j, Q/ A! O8 h; p9 f
8 K3 L: O) X; Q4 O" B
114. Out of Our Heads, The Rolling Stones
9 o( T: f' O- V: Q8 ?+ c$ g! h: S, r$ o
115. Layla and Other Assorted Love Songs, Derek and the Dominos; K, j- v- Y4 T8 O. A. @

, W% Z; N+ @7 S" b0 d+ r; b: }116. At Last, Etta James
5 {/ F: X: r4 y4 V# U
4 B, q3 U9 A% y117. Sweetheart of the Rodeo, The Byrds
, Z! L* t% }, u2 t, P/ J( a: @' ~7 O
118. Stand!, Sly and the Family Stone
6 J4 Y/ p2 k' }# O
! A  o% s" M$ P, D, a9 H* V119. The Harder They Come Original Soundtrack, Various Artists; R/ T5 l% R! z5 C
$ O. z7 R# Z6 c/ ?/ L7 X2 }1 n
120. Raising Hell, Run-DMC
7 r( S4 j1 U6 I
1 [2 J" A8 ~/ p2 ?3 {121. Moby Grape, Moby Grape4 g- K% H- C5 m4 G$ ?5 _
& y/ E  ^( s. M# u$ C; v1 L
122. Pearl, Janis Joplin
" M, |2 m9 h2 f$ P+ T' J* X. j+ t! p' c) g2 e
123. Catch a Fire, Bob Marley and the Wailers
. _  `2 j6 b0 X9 V9 M
8 O7 h" Q4 y9 h124. Younger Than Yesterday, The Byrds
. V+ F2 W: A5 n1 m& E7 {& b
2 a! @6 ^# _; s  D  K* V. f5 Z" P125. Raw Power, The Stooges
+ _: e4 K0 H: O7 e4 B, e2 S/ U+ B+ C2 L4 v# k
126. Remain in Light, Talking Heads  j; V/ V( G) L7 ^

( A( R% Y! k/ L. J3 T& j127. If You Can Believe Your Eyes and Ears, The Mamas and the Papas
' Q  u# a5 m7 P: H  o& N1 o( D7 k5 ]
* m& s; x; V- m4 _. U  f) T128. Marquee Moon, Television! a5 I$ @+ d  U- b6 q! r8 Z# s% T8 O

8 `# u, ~( o2 `" G3 r129. 40 Greatest Hits, Hank Williams: j6 T& Z; M% n9 c$ H! W3 q) C

, m# R" u  ~) f, b, I130. Paranoid, Black Sabbath1 L" ?/ S( l, L8 O! {. I
9 d; @% U% S# ~- [
131. Saturday Night Fever Original Soundtrack, Various Artists+ |  s& ?' F1 ~$ G

) r3 k- N3 I: v132. The Wild, the Innocent and the E Street Shuffle, Bruce Springsteen
* R. G% }# o% T- @1 d3 B* k* r6 F, K5 H$ ?( [7 N
133. Ready to Die, The Notorious B.I.G.4 F" ?7 M) J' G- R$ F7 \
. q; O- w4 P$ }, F. g- o
134. Slanted and Enchanted, Pavement
+ M1 e5 T4 w4 A1 h  e+ f
% H8 u: {3 d5 H3 Y: }  F4 J% e135. Greatest Hits, Elton John6 V5 N" A% _& c4 A. W
+ }  X. m5 o  W; _
136. Tim, The Replacements4 n/ m& ]$ V4 g) ?9 {. h+ J- g

  K! E1 |$ G2 C137. The Chronic, Dr. Dre: [* x: T: a5 h' L4 t) o6 k7 p
7 y$ ]; a. u: g  o, d; ^8 l
138. Rejuvenation, The Meters
7 n+ |2 P4 H& F% d0 \# B) u9 s
, X9 g8 [; a/ @  A, O4 f139. All That You Can‘t Leave Behind, U2
& A4 Y, T7 ~% k" W' j1 Y
- P( F4 M, U/ i# a: b- e3 T140. Parallel Lines, Blondie
, M( p0 l2 E5 y, k: e$ m! ^, _8 r* c
  D- `+ M  |9 q- ?/ h+ a; \141. Live at the Regal, B.B. King4 i7 b5 }7 }5 v

; J( ^9 r! N, j2 w9 S142. Phil Spector, A Christmas Gift for You, Various Artists
$ @  S' j1 B, y% v6 ]  `) @& }& [7 ~2 u
143. Gris-Gris, Dr. John: b6 W7 c. x2 S3 V

8 e; ], M1 J0 \9 @$ X144. Straight Outta Compton, N.W.A+ }  C* l/ ?2 f

- x, a% o7 g  a& x3 V3 z0 X  i145. Aja, Steely Dan
% ~% \. \% |% Y* m, p- C% r
- W+ U9 }, v# r) n# i7 F146. Surrealistic Pillow, Jefferson Airplane( b- K8 R5 d8 z6 k$ n

9 W6 U- p* T! y2 e$ C; q147. Dreams to Remember: The Otis Redding Anthology, Otis Redding- g, \. D8 \6 m' T

. b" A2 O9 \5 M: t148. Deja Vu, Crosby Stills Nash and Young
8 F* H: t( i4 p! n
/ S& z  U2 i) N! G6 F/ o& `149. Houses of the Holy, Led Zeppelin
' @; _* E$ y0 E2 M: }5 X( o$ |6 Y. o7 c
150. Santana, Santana9 I6 L9 T8 E5 C& b1 |3 H
  e1 L3 R7 j6 j  l. L' I

5 p0 U1 C  S# M& D  A9 J151. Darkness on the Edge of Town, Bruce Springsteen: h" k* E, ?& H: l" |
  j& Q' Q& z. B; p0 ]
152. The B-52‘s, The B-52‘s
- \: d0 o9 J* b8 e- N7 o1 @0 l- J% l. D- ^
153. Moanin‘ in the Moonlight, Howlin‘ Wolf; R8 K' ]  c4 M
- G7 m% L) C6 s' u4 r( N# s
154. The Low End Theory, A Tribe Called Quest  {: w4 d. h2 q! ?8 D5 t) S
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155. Pretenders, The Pretenders, a, z# |, C" ^' P/ `" ^7 Y

, O- t$ d; T; `& E- a, N  G156. Paul‘s Boutique, Beastie Boys+ c/ [* F: X4 m/ ?5 p

& w8 G9 z- H# N3 Y/ }) `7 A8 w' M157. Closer, Joy Division9 J. F8 [$ M. N0 f% _/ R

0 V  G3 X2 O" H) E; V2 h" e158. Captain Fantastic and the Brown Dirt Cowboy, Elton John% c0 G$ g6 v5 u  Q& @# n

$ v) H7 {8 [9 E159. Alive, Kiss- B" @( ?) a; M' p% t/ i' E4 o/ f, S& G

* D) v/ v( P: n& F160. Electric Warrior, T. Rex
; P" B. v, _; _; F2 C& r* J
+ `, J3 t$ o# e, r161. The Dock of the Bay, Otis Redding
: n" E; }8 }2 ^/ i2 _9 u, g; p+ A1 i& T
162. OK Computer, Radiohead! g7 v1 G3 s# Z, D( ?9 |

: |! v+ F6 a+ ~( i: ~& P! w! s, X163. 1999, Prince
" p. ]  @" [$ _) l' `9 J
# h4 Y/ H, h/ a; l( t7 A! n# p5 v164. Heart Like a Wheel, Linda Ronstadt+ _0 V4 C/ ~& f0 F; W

; R2 v( ?6 I: u& h, |165. Let‘s Get It On, Marvin Gaye  ]9 u) o6 @' p2 I+ b
' k, x; b6 R7 Y7 Z/ n
166. Imperial Bedroom, Elvis Costello
$ }4 g2 q' A9 G) ?+ }. H+ s7 u* q- R! }  z; l
167. Master of Puppets, Metallica
* N9 x- ^; a* A* n3 a" I9 ?! n2 O
168. My Aim Is True, Elvis Costello
! E  S$ F, C' m, E7 V: a9 B& J! s4 s( q3 l. m: d, Y. P2 O
169. Exodus, Bob Marley8 k4 v: h1 m6 _% V
5 R$ k2 A% E4 Z( d$ d3 j' b
170. Live at Leeds, The Who6 H6 \( v9 Z* c' D3 |  ^
% D& s( Z' V+ \5 K! m
171. The Notorious Byrd Brothers, The Byrds
8 T, z8 w5 M* Q, G7 z4 ~- i. t! _
4 c4 F  m! j+ R+ C/ g( U, l5 t172. Every Picture Tells a Story, Rod Stewart8 }7 I/ I0 j3 ]) J' q, e
0 A4 ]# X4 N( |1 h+ Q
173. Something/Anything?, Todd Rundgren* {) S4 I( }, V6 W

# \, h4 e8 @; A174. Desire, Bob Dylan7 M2 x3 z/ S# {5 ]

  d' o; C7 g& z" r, ?* N- |1 G( b175. Close to You, The Carpenters0 X3 m8 F# L* K# @9 O& T% N$ f. Y

/ g1 t- o0 M, ?% N0 u176. Rocks, Aerosmith
: R# e7 s7 C8 m+ L1 P/ m) x+ g8 Z/ A4 G
177. One Nation Under a Groove, Parliament/Funkadelic2 W' K, `! d6 u& y

8 ?( p% L- p+ l: n, c178. Greatest Hits, The Byrds$ W) P) B& v' l2 Y- g- C
. E6 h! T: N2 E( F
179. The Anthology 1961 - 1977, Curtis Mayfield and the Impressions
" v2 i& x+ Q& u' J
& Z- L3 ~/ V9 Z+ i# ]1 k" m180. The Definitive Collection, Abba
5 A5 N( b( Q' z: a& {- m7 a/ [: a- @  U9 F" `' e, b- w
181. The Rolling Stones, Now!, The Rolling Stones
: ?: P9 m7 g4 p* [
2 k# s" P. `" V+ a/ P182. Natty Dread, Bob Marley and the Wailers) v4 g' j- \7 Y1 W
# ], J2 P* w" @7 ^) z
183. Fleetwood Mac, Fleetwood Mac8 X; M6 K. U+ R& j6 y. T5 i

& |, j2 Z6 \5 [* j2 }184. Red Headed Stranger, Willie Nelson# ~4 v6 R; B6 A$ x# Q# d

+ Y4 y3 W3 J9 C2 o5 g1 C185. The Stooges, The Stooges
4 k- U* a! j7 N* z- l( i4 N$ |: h7 x. a. D/ [8 H( ^/ S
186. Fresh, Sly and the Family Stone* \6 U- ^' l# `' C! |! E) M

- w% K7 y# I5 |2 t187. So, Peter Gabriel! h" ?" j! G; r# K

: c4 p7 f5 V/ W; p7 B# O$ e188. Buffalo Springfield Again, Buffalo Springfield
" S* T2 ]5 V  e( _3 m- d. a. L, {- ^
% x, ^# J* \% ]4 ]5 v189. Happy Trails, Quicksilver Messenger Service9 Q  {2 e+ R; l) K* l$ ^: P: v
; J/ _8 m% V" x+ Z  `
190. From Elvis in Memphis, Elvis Presley
8 d4 n3 ]7 w4 H% ?
7 M9 l' ~/ }  X191. Funhouse, The Stooges7 `4 e; @' a/ o" W' C
) B/ R' \& B8 x, t$ I
192. The Gilded Palace of Sin, The Flying Burrito Brothers
; w# E" n0 l9 }7 b3 w+ W1 g+ t. r" X0 T0 {
193. Dookie, Green Day
- C& p9 \7 B5 E6 b2 Z1 o5 ?7 ~& K" y3 o7 v/ n0 `. U
194. Transformer, Lou Reed4 m8 c7 ~( I5 z$ ]" Z5 o  M7 p
0 u4 q- ^" k$ n+ @4 O0 f8 k7 h
195. Bluesbreakers, John Mayall With Eric Clapton5 c5 `, S* O3 K0 g# U/ P& R0 ~$ i

3 r$ u+ i& h6 `. ]) \/ _196. Nuggets: Original Artyfacts from the First Psychedelic Era 1965 - 1968, Various Artists8 }/ m/ t1 V8 `+ s+ \
- c5 e, X1 P# L3 n! D: ^$ B
197. Murmur, R.E.M.
* Z1 Z) W0 i6 z, Y
1 d3 @7 ^: \& y2 j& @& i6 U198. The Best of, Little Walter
$ \# y; W" W) O. ^/ z. f* G* @8 a7 h& {4 W
199. Highway to Hell, AC/DC
7 K2 i% A2 H( S* |- m
: t% C# `! A. D4 F! s8 D0 R+ A/ P200. The Downward Spiral, Nine Inch Nails
5 k& J# U. S+ P& K; D
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: m6 f& M+ A0 V+ q" @" F201. Parsley, Sage, Rosemary and Thyme, Simon and Garfunkel
# K! i, t7 ~" ~7 h* ]0 ]202. Bad, Michael Jackson
6 r) [: O$ V5 b" C2 L. Z203. Wheels of Fire, Cream
: p: \! }! U# [& h0 |
7 p7 G2 ]9 k. @  I' N204. Dirty Mind, Prince
' P$ T+ s! a: G! M2 o- k% c0 k0 t4 k- e2 N% ]
205. Abraxas, Santana8 s2 Y( m. r% }3 L, ~+ ^. s) J9 p
7 W: ?9 x" l2 ~0 C% f
206. Tea for the Tillerman, Cat Stevens
& E1 E" j- m4 N3 z0 [( ?7 C" F3 F* I. i! H9 j
207. Ten, Pearl Jam
1 d7 J4 }2 d' u! `# L. t; s& E  ^8 w/ P" S
208. Everybody Knows This Is Nowhere, Neil Young With Crazy Horse
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209. Wish You Were Here, Pink Floyd  I' K% N7 ]- B8 g' u, g
$ T2 l+ F2 D" \8 ^3 J8 G2 ?% m% t
210. Crooked Rain, Crooked Rain, Pavement# |: b4 u. f5 V0 O  z' N

( p. C8 W/ ^/ K7 e0 ]6 B, a9 K) F211. Tattoo You, The Rolling Stones
7 z6 ^7 Q4 V. p" u2 ^5 s4 s" K: t! e* L+ f, q
212. Proud Mary: The Best of Ike and Tina Turner, Ike and Tina Turner1 l# a6 r; x. l4 `! m! U
# V1 m0 t9 I. H, m3 R
213. New York Dolls, New York Dolls
& O1 V( ]$ T1 ?( ^, Q. f8 x3 a9 U
1 I! o. w0 B0 ?3 M* r214. Bo Diddley/Go Bo Diddley, Bo Diddley
8 ]9 ?; _& \; ?
+ \+ q8 z- a' P& c5 Q215. Two Steps From the Blues, Bobby Bland$ B0 Q* O! H4 w0 p7 f8 N2 F

% R1 t- {. L3 w6 [216. The Queen Is Dead, The Smiths
  \' M' d  o$ s3 ]' V1 N5 r
/ ?: U* H: G* b217. Licensed to Ill, Beastie Boys
' P, V8 g" p- \& V3 \
0 E( I0 W' {" ~  h# @* k7 W218. Look-Ka Py Py, The Meters) Q5 }# a4 V; `6 R# x7 X0 |
7 T' a/ A5 ~$ E4 k. D$ \5 W6 X
219. Loveless, My Bloody Valentine
* l3 g; N& {, O% m# t) i1 D1 t/ ^6 c& S
220. New Orleans Piano, Professor Longhair
& v/ J. w7 y/ J# W) f
% d5 U( Y+ g, O* B7 y221. War, U28 `7 ]. z, u/ S/ c( O. m" }
. P. y5 {) z. ?/ d1 z5 G' @) o  j  W9 k
222. The Neil Diamond Collection, Neil Diamond
1 O+ Z& n2 b5 N# p7 Q- Q- _' G, ]6 [8 Q
223. Howlin‘ Wolf, Howlin‘ Wolf
' q+ c8 a9 t. S0 k, M( N. u6 A& h% b5 {8 Y% r7 L3 \
224. Nebraska, Bruce Springsteen3 C" E' _- O% [1 O

0 A% s5 R: o" K0 C225. The Complete Hank Williams, Hank Williams. ?5 _1 q  |  O+ E9 Q8 V
) l" T6 u# Q  M: }6 U4 Y5 [
226. Doolittle, Pixies
% A$ N( x6 r" q! |
$ n4 m5 C6 ]0 p! a5 K227. Paid in Full, Eric B. and Rakim9 U: E6 c0 w- U& n9 ^

5 G( C2 S* I- E8 ?228. Toys in the Attic, Aerosmith
: C& Z9 ^+ D7 ~5 A5 O8 l: t* f/ ~0 y! J- `
229. Nick of Time, Bonnie Raitt" N/ w! x6 G! W3 x

9 H/ X2 T$ m9 k3 d: t230. A Night at the Opera, Queen
2 b5 N* V2 Q( r. l" @' g, t6 s% Z( w$ K! n5 ~1 ~' t
231. The Kink Kronikles, The Kinks
  H) W9 l6 k& a# Q; ]3 I/ C8 \+ H  K) c$ N
232. Mr. Tambourine Man, The Byrds# A" u# U0 [& I, L

+ h8 O7 r* t4 |; s4 C; N233. Bookends, Simon and Garfunkel
, t9 `* W3 J3 t3 u) g. r$ D' R
4 I# l0 Y$ F* k9 j* Y234. The Ultimate Collection, Patsy Cline
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4 e2 _( M( O+ p+ K- D6 n235. Mr. Excitement!, Jackie Wilson
( S( f+ |3 u' ~' u
- A2 m. `# K0 \: E236. The Who Sings My Generation, The Who
7 [4 f  `: z9 R* P/ b4 z
9 K8 _. t: E4 h237. Like a Prayer, Madonna
# P5 y3 A7 ]# v) R+ Y& _6 ~& K2 `: t2 X
238. Can‘t Buy a Thrill, Steely Dan
4 Y6 U8 T) j  e" v* ?' i; _* h1 P! Y
239. Let It Be, The Replacements" u# c" p$ t8 e  m& O6 d5 q

& n$ g0 Z( p2 m1 R* k: \& F240. Run-DMC, Run-DMC! ~* t& P) k1 D1 v) ^
( `# z8 ~6 e1 n1 b1 K! ?
241. Black Sabbath, Black Sabbath
) [1 ?: E3 U4 W/ J2 X
& h0 M3 X- B3 O5 W242. The Jerry Lee Lewis Anthology: All Killer No Filler!, Jerry Lee Lewis% u; l8 K2 N- W. X; n1 g

3 ?+ Q3 {: q9 m: n5 N243. Freak Out!, The Mothers of Invention
" p* W6 Q. W& d1 y# O+ R' Y" E& e' A$ M/ c
244. Live Dead, Grateful Dead. N8 Z, K2 I% j! v+ r

+ Z, a/ r% {& e245. Bryter Layter, Nick Drake
& ^' W* E+ p0 Z9 B+ p( X2 V
+ O* _8 d3 p) h% |246. The Shape of Jazz to Come, Ornette ColemanAutomatic for the People, R.E.M.# W- H. \# K  n' D
2 T. e9 U, F( D8 f0 \# B9 W
248. Reasonable Doubt, Jay-Z
) b3 ]/ h- v* J! j0 G4 U8 M2 D4 {6 C* B2 B; Y) C
249. Low, David Bowie
# a  j. j( t, Q) y0 T2 |" z1 y
% _1 _: `: u5 M250. The River, Bruce Springsteen8 l" n% \2 |) Y: c- U
5 o* X$ Z$ u2 Z: w! L4 u
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 楼主| 发表于 2005-4-19 15:23:00 | 显示全部楼层
5 Z$ S' b: O9 l8 }" A( c* J
251. The Otis Redding Dictionary of Soul, Otis Redding( {8 M# o+ W; _5 _+ H# |8 x9 H+ b

' r) e# }% a7 w+ n% ]; H7 c252. Metallica, Metallica
% O/ j, v  a& D3 Z+ u) g& g5 i3 [" U4 T6 K
253. Trans-Europe Express, Kraftwerk
" S# b5 a2 X# W4 a
9 x9 v" c# [% T: o) _: W254. Whitney Houston, Whitney Houston
/ a( e. Z, {" O$ _' y" C! Q0 J! M$ z1 U$ F$ X- w
255. The Kinks Are the Village Green Preservation Society, The Kinks8 ^) l0 z8 J& h  P
& {1 `, A% q, w4 j9 |3 c" u
256. The Velvet Rope, Janet Jackson7 x5 @# `* P& w8 h# ^: F
+ p# k3 g$ @( ^- f
257. Stardust, Willie Nelson  |/ l; g! U! H% H
3 f) }2 k/ H5 X" V7 T8 z
258. American Beauty, Grateful Dead5 I0 s# Y  t; M1 b8 ~

% p- z6 j. g- M" z6 a- a259. Crosby Stills and Nash, Crosby Stills and Nash9 i* i; h" k# j6 R
( Y% ^  Z2 ~1 P7 O9 X3 w
260. Buena Vista Social Club , Buena Vista Social Club& `1 H3 [4 m& \% M! C
! b8 ^4 B& A5 I4 _
261. Tracy Chapman, Tracy Chapman/ I7 `, z# |! |9 u! r5 C# M

: x, G' M3 V7 O9 F+ U$ V9 Q+ p262. Workingman‘s Dead, Grateful Dead
0 j6 m8 Y; i9 o! f- N: C
: O% d$ i, c' E1 _6 c( L263. The Genius of Ray Charles, Ray Charles8 X$ \" c# C+ o# S! C" a, A% d

8 m( M% ~+ E. _# ]& A264. Child Is Father to the Man, Blood, Sweat and Tears
+ U0 S" m4 u. Y$ J
9 |! G- I8 T& y8 o' T. y; I$ U265. Cosmo‘s Factory, Creedence Clearwater Revival
  R& p/ ^8 x* Y; q$ L7 v
3 i' S* T5 J' s2 H$ ~# i- W266. Quadrophenia, The Who
: j) i" R3 ^% l5 h; t0 K+ J1 n
7 Y: d. b8 ^8 V, K  ^267. There Goes Rhymin‘ Simon, Paul Simon
# ~# q4 k0 h6 C2 ?
# J$ J" H/ O6 E- K- m% ~: L2 V268. Psycho Candy, The Jesus and Mary Chain9 l* L4 d* D9 ]  u
5 y% h- m* ~) i" d
269. Some Girls, The Rolling Stones: ?& i! ~$ [+ Z: H/ q
6 j2 |9 ]' W) ~9 m/ B# w
270. The Beach Boys Today!, The Beach Boys- ?+ O1 k/ J. O4 S9 I4 v) X" }! v- r6 g

+ _; Y, V+ }4 I: e+ U1 v8 `271. Going to a Go-Go, Smokey Robinson and the Miracles; j( e3 Z: g) S

" w: M% b, P) P/ W) g$ d4 O272. Nightbirds, Labelle
$ D# S- d7 V0 U8 @3 e9 f" ^' Z/ r8 O# e/ S) f# b* X; [
273. The Slim Shady LP, Eminem
! _7 s4 G2 _: e- t/ `
* |7 U: U2 m2 ^2 M' |274. Mothership Connection, Parliament
3 M0 E0 W* l+ G: A: v/ [; a
& n- U+ ]' I5 Z: o( ?275. Rhythm Nation 1814, Janet Jackson
$ M2 L/ ^! U5 B% ^$ J. ^- g; [) b0 P5 E5 |9 B( }7 Y8 o
276. Anthology of American Folk Music, Harry Smith, ed.7 X2 b. x1 L" `6 j( }
, {6 k: a5 y9 ?
277. Aladdin Sane, David Bowie
7 u$ U# R  @; g- ?5 G5 u; |' Q9 T# E3 s+ u4 o5 w5 d5 ]
278. The Immaculate Collection, Madonna' A! Z8 L' H/ b0 O/ k" u

( v8 u  e. @/ n. Y) s# ^( k6 S279. My Life, Mary J. Blige/ f, H5 D8 Z4 k: D7 K

" T! q0 x8 j# @% W280. Folk Singer, Muddy Waters0 ]6 N9 ]" `/ c

" R' k7 z: z) h0 E281. Can‘t Get Enough, Barry White
1 p/ i7 t6 Q; o2 I9 v# U9 T7 B! g9 |
282. The Cars, The Cars
( R6 {: h$ x: e+ c  d) @& q$ j1 O8 L; d* U- r) l
283. Five Leaves Left, Nick Drake: b1 b) l' v( ]! F) l. P

7 P$ H8 _. g* t3 M/ d284. Music of My Mind, Stevie Wonder
3 F2 X) {  R  f" v6 v. S9 k- [1 j9 D# I5 ~8 h
285. I‘m Still in Love With You, Al Green0 ]( W& A, w. g6 j% `0 B! a: b7 o, l

: T% t" J" C* w, D" a% ?7 y286. Los Angeles, X( n5 G7 D7 E& U! a9 l# M/ Z, \
8 F5 m0 R3 V& Z7 i7 [# Z4 g" ]
287. Anthem of the Sun, Grateful Dead* v: g' k' {# _, g  I# o

" \1 X' ?. W' U288. Something Else by the Kinks, The Kinks
; W, _1 ^( G0 r) ]7 T  H
( a( c3 V2 m1 y& o3 w3 C289. Call Me, Al Green
* P9 \$ E/ b! Y4 b
: K# |' U- {; C0 R( j+ D) X. e290. Talking Heads: 77, Talking Heads
: A" p% J4 f+ V2 M& e/ _+ E& i" o7 I( @! K# x* `3 j( ^
291. The Basement Tapes, Bob Dylan and the Band4 x0 c5 K& n- r6 ?
) u( v5 f  D) h8 _( v6 ?
292. White Light / White Heat, The Velvet Underground
5 R' k, Y4 S9 @# z7 ^4 g
9 V- Y1 v* [( K, E0 h293. Greatest Hits, Simon and Garfunkel
  `' q: ~  V9 O0 C! i8 @. o& j! g6 |; F% k3 n
294. Kick Out the Jams, MC5
, V$ p; u, n) a3 m% Y# g$ u: _6 a8 R0 y/ u/ `6 T% K# U8 m
295. Meat Is Murder, The Smiths' [- f' Z# B. u& [' q/ ?

/ ~7 ?4 o+ F  l& o7 I5 I. e296. We‘re Only In It For the Money, The Mothers of Invention
  n8 a, d0 F+ d% d+ E; f. ~! m$ A: L& b! E/ j5 M( R! z9 \( A
297. Weezer (Blue Album), Weezer
9 T; q' Q3 g+ u% I5 x
( H7 l5 w7 q# d# u298. Master of Reality, Black Sabbath
6 z. X$ B! v% Q. d5 f" G# E: I/ m$ @( A6 U$ g% P  `1 |7 ?2 y6 A
299. Coat of Many Colors, Dolly Parton4 @" O  J) o; d7 P8 ]
1 ?  S9 d+ k: l9 a
...........
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滚石杂志的500张历代最强专辑的名单  
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